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Dan Mousseau and bahia watson in 'Summer and Smoke.' iPhoto caption: Dan Mousseau and bahia watson in 'Summer and Smoke.' Photo by Dahlia Katz.

REVIEW: Tennessee Williams deep cut Summer and Smoke warms up Crow’s Theatre

I wondered if further following the directive to push upward instead of outward, balancing the corporeal dark with a little more spiritual lightness, might have made this ambitious and heartfelt production spark just a little bit hotter.

By Ilana Lucas / Feb 17, 2026
Members of the company of 'Some Like It Hot.' iPhoto caption: Members of the company of 'Some Like It Hot.' Photo by Matthew Murphy.

REVIEW: Inventive choreography powers delightful Some Like It Hot at Mirvish

The gears of Casey Nicholaw’s production are well-oiled. Despite Art Deco set design and plenty of era-appropriate choreography, the show moves with contemporary fluidity.

By Liam Donovan / Feb 16, 2026
Gabriella Sundar Singh in 'Through the Eyes of God.' iPhoto caption: Gabriella Sundar Singh in 'Through the Eyes of God.' Photo by Jae Yang.

REVIEW: Anusree Roy’s Through the Eyes of God is a fast-paced, one-woman thriller

This sequel to Pyaasa revisits the themes of motherhood and sacrifice in present-day India through the experience of Chaya, a lower caste Bengali woman.

By Shivani Nathoo / Feb 13, 2026