Theatre-Centre
Hannah Antaki
Hannah works in casting, the only profession that allows her to truthfully use work as an excuse to stay home and watch TV. A dropout of both preschool and law school, she loves Montreal bagels, Harry Potter, and conversations about diversity. Her diet starts tomorrow.
LEARN MORECBC’s PlayME debuts 2026 season, starting with Kim’s Convenience
PlayME has featured work by more than 30 Governor General’s Award winners and nominees, making some of the country’s most celebrated plays accessible to listeners nationwide.
REVIEW: Ophis dunks viewers into a gothic experience of Medusa’s psychic landscape
Transcen|Dance Project’s Ophis is a woozy tragedy that courts both playfulness and eroticism, deliberately dissolving the boundaries of stage and audience with an immersive format that’s sometimes thrilling, sometimes terrifying, and sometimes — if you’re a people-pleaser like me — both simultaneously.
“You want to choose things that feel important to the moment,” he says about building a Stratford Festival season. “If you choose plays and they don’t resonate, it’s very hurtful. You believe in them and the power of them.”
Rhubarb! Festival director Ludmylla Reis wants artists to embrace ‘the detour’
"We do something formative at some point in the arts, and then we just continue doing that in different fonts until we’re no longer on this earth," says Reis. "The important thing is to know what that is, because you don’t want to be controlled by it. You want to be in control."
iPhoto caption: L to R, top to bottom: 'The 39 Steps' (photo by Raph Nogal), 'Benevolence' (photo by Jae Yang), 'The Born-Again Crow' (photo by Jeremy Mimnagh), 'Dimanche' (photo by Thomas Müller), 'Last Landscape' (photo by Fran Chudnoff), 'The Merchant of Venice' (photo by Kyle Purcell), 'Slave Play' (photo by Dahlia Katz), 'Waiting for Godot' (photo by Elana Emer), 'The Welkin' (photo by Dahlia Katz).
Twelve indelible moments of performance from 2025
With the lights fading on another year of fleeting thrills in dark rooms, we asked 12 Ontario performing arts writers to reflect on a moment that stayed with them. The results mainly stem from Toronto theatre productions, but there are a few surprises weaved in.
iPhoto caption: Connor Mitton and members of the company of 'Sex Dalmatian’s Hot Holiday Spectacular.' Photo by Jeremy Mimnagh.
REVIEW: Sex Dalmatian’s Hot Holiday Spectacular is a peppermint-coated acid trip
Rock Bottom Movement’s surrealist mandate is on full display in this 15-dancer fantasia, which begins with an invitation to let go: “The only thing you need to know is not to know anything at all,” pronounces the Mayor of Sex Dalmatian, the evening’s narrator and the mayor of the titular canine’s mind.
Where to Eat and Drink… Buddies in Bad Times Theatre
Heading to a show at Buddies in Bad Times? Here’s where you should go before or after for a bite or a drink.
Where to Eat and Drink… Factory Theatre
Heading to a show at Factory Theatre? Here’s where you should go before or after for a bite or a drink.
Where to Eat and Drink… The Theatre Centre
Heading to a show at The Theatre Centre? Here’s where you should go before or after for a bite or a drink.
Where to Eat & Drink Near… Tarragon
Heading to a show at the Tarragon? Here’s where you should go before or after for a bite, a drink, or some shopping.
Where to Eat & Drink Near… Streetcar Crowsnest
Heading to a show at Streetcar Crowsnest? Here’s where you should go before or after for a bite, a drink, or some shopping.
Where to Eat & Drink Near… Bluma Appel
Heading to a show at the Bluma Appel? Here’s where you should go before or after for a bite or a drink.

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