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REVIEW: A Streetcar Named Desire pulls into Theatre Calgary for the first time in 40 years

You’ll find everything you might expect from a take on A Streetcar Named Desire: sensuality, top-notch performances, and all.

REVIEW: Cliff Cardinal’s CBC Special is a real gem

Cliff Cardinal’s CBC Special may not broadcast on Canadian television, but it is, indeed, quite special.

REVIEW: La Reine-garçon hits like an avalanche at the COC

This co-production between the Canadian Opera Company and the Opéra de Montréal is eminently watchable.

REVIEW: In Why It’s (im)Possible at GCTC, parenting is an ever-evolving process

In the context of an increasingly difficult political and social climate for trans youth, Why It’s (im)Possible addresses the need for familial support.

Circus version of Swan Lake touches down at Meridian Arts Centre

This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.

In the darkest months of Yukon winter, it’s all about the Sun Room

I’m here for a week in January as a guest of Nakai Theatre, a hub for theatrical experimentation and outside-the-box programming in Canada’s westernmost territory.

REVIEW: La Reine-garçon hits like an avalanche at the COC

This co-production between the Canadian Opera Company and the Opéra de Montréal is eminently watchable.

Circus version of Swan Lake touches down at Meridian Arts Centre

This week, TO Live will present Circa’s Duck Pond, a circus reimagining of Swan Lake.

REVIEW: Detailed design anchors confident Who’s Afraid of Virginia Woolf? at Canadian Stage

Tasked for the second time in a year with filling the titanic canvas of the Bluma Appel Theatre, director Brendan Healy opts for hundreds of little strokes over a single massive one.

REVIEW: Psychology and ideology collide in Necessary Angel’s austere Winter Solstice

Winter Solstice left me in a state of tension — pondering whether, in a similar situation, I’d be more likely to flirt with or kill a potentially evil man.

Announcing the winners of the 2024 Nathan Cohen Awards

The Canadian Theatre Critics Association has announced the winners of the 2024 Nathan Cohen Awards for Excellence in Critical Writing, including two writers from Intermission.

High-octane crime caper makes Ontario premiere at London’s Grand Theatre

This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.