Santee-Smith-Photo-credit-Make-Emarthle-2

Roberto Zucco marks a new era in Buddies’ history of queer theatre

Toronto theatre can be a bit risk-averse. Artistic directors, constrained by limited funding, program obvious crowd-pleasers over boundary-pushing experiments. Playwrights, afraid to ruffle feathers, create spaces that validate the public’s...

Speaking in Draft: Justin Miller

“I love to laugh,” says Miller, an actor, bouffon drag clown, performance artist, and teacher extraordinaire. “Some of the most impactful and meaningful experiences I've had have been shared through a comedic lens. I think you have a far better chance of actually changing people with comedy, because it's in moments of surprise and subversion of expectation that you have a chance to knock them off their balance, and maybe show them something new.”

REVIEW: Life of Pi gleams with unforgettable puppets

Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.

REVIEW: Infinite Life thrums with meditations on chronic illness and pain

Director Jackie Maxwell’s production at Coal Mine Theatre, featuring six generous, empathetic performances, is a paean of understanding for the chronically ill, candidly examining the despair and fury of bodily helplessness in a way that’s magnified by our proximity to the characters in the intimate space.

REVIEW: In Rosmersholm, ghosts abound

While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.

Aluna Theatre drops 2024 RUTAS Festival lineup

The festival showcases a lineup of interdisciplinary talent from across the Americas, with programming connected around the theme of “personal cartographies.”

Aluna Theatre drops 2024 RUTAS Festival lineup

The festival showcases a lineup of interdisciplinary talent from across the Americas, with programming connected around the theme of “personal cartographies.”

REVIEW: 1s1 Theatre’s Qalb marries autobiography with ASL poetry

Since much of Qalb is about distance — between mind and heart, justice and reality, me and you — it’s a powerful statement of hope to conclude with the bridging of a gap.

‘It’s three hours, but it’s action-packed’: How the cast of Cymbeline navigates one of Shakespeare’s most eventful plays

“I warn my friends before they come — I’m like, ‘it’s a long show!’” says Jordin Hall, who plays Posthumus in Stratford's Cymbeline. “And then by the end, they’re all usually like: ‘it didn’t feel that long.’ That’s the greatest compliment they can give us — that we kept them hooked for three hours of crazy, not-often-done Shakespeare.”

REVIEWS: Toronto International Film Festival 2024

A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.

REVIEW: This year’s SummerWorks Performance Festival embraced danger — in more ways than one

Several of this year's productions took direct aim at our present moment’s evils: Targets included corporate speaking gigs, rent payments, climate change, global wealth inequality, and the ostracization of horse girls.

Guild Festival Theatre to present one-night-only concert version of Evalyn Parry’s SPIN

Inspired in part by the incredible true story of Annie Londonderry, who in 1895 became the first woman to ride around the world on a bicycle, SPIN travels from 19th-century women’s emancipation to the present day, forging unexpected links across time and history.