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Amanda Parris
By day, Amanda writes a column for CBC Arts and is the host of Exhibitionists on CBC Television and Marvin’s Room on CBC Radio. By night, she writes stories for the stage and screen. Other Side of the Game is her first play to be produced for the stage.
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2025 Toronto Fringe Festival wraps with record revenue for artists
“Artists are taking home more than half-a-million dollars, and many have sold out their first shows as professional creators,” wrote Toronto Fringe executive director Rachel Kennedy in a press release. “We are proud of our staff, volunteers, and artists for this accomplishment.”

Kiana Woo clowns around in full-circle moment with Guild Festival Theatre
For Woo, coming back to the Guild for the first time in four years — after working at Shaw, Soulpepper, the Citadel Theatre, and Théâtre Français de Toronto — feels like a homecoming.
Lighthouse Festival unearths rarely performed Norm Foster one-acts
“There’s not much time for character development, like there would be in a long play,” says Norm Foster of one-acts. “You have to… make it satisfying, and to have it come around to a plausible ending. It can’t just be a skit… So, it’s actually a little tougher to write.”
“I’ve learned how truth is revealed in translation, and I feel like that’s my job as a director,” says Farsi. “I have to translate the piece from the page to the stage, and all the meanings that can be derived from that process of translation.”
Let’s-a go: Embedded with the Fools’ Comedy of Errors
While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
The Poet, the DJ, and the Stage
Oraltorio has become for Motion and L’Oqenz, the full circle moment in a friendship rooted in respect for the holy trinity of beats, rhymes, and life.
Capturing the Soundscape of Toronto
I found myself moving to the rhythm of the words, two fingers gently extended to wave back and forth when in disagreement.
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