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Marissa Orjalo
Marissa Orjalo is an interdisciplinary Filipina-Canadian actor, playwright, composer, artist educator, and academic. She recently completed her M.A. with the University of Toronto's Centre for Drama, Theatre & Performance Studies with a thesis dedicated to investigating intergenerational methods of creation among Filipinx Canadian theatre makers. Her work as an artist has been supported by fu-GEN, Factory, Carlos Bulosan, Nightwood, Pleiades, and Cahoots. An avid reader, Marissa is currently reading Min Jin Lee's "Pachinko" and E.J.R. David's "Brown Skin, White Minds." To learn more about Marissa's work, visit marissaorjalo.com.
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iPhoto caption: Headshot of Antoni Cimolino. Photo by Ted Belton.
“You want to choose things that feel important to the moment,” he says about building a Stratford Festival season. “If you choose plays and they don’t resonate, it’s very hurtful. You believe in them and the power of them.”
Rhubarb! Festival director Ludmylla Reis wants artists to embrace ‘the detour’
"We do something formative at some point in the arts, and then we just continue doing that in different fonts until we’re no longer on this earth," says Reis. "The important thing is to know what that is, because you don’t want to be controlled by it. You want to be in control."
iPhoto caption: L to R, top to bottom: 'The 39 Steps' (photo by Raph Nogal), 'Benevolence' (photo by Jae Yang), 'The Born-Again Crow' (photo by Jeremy Mimnagh), 'Dimanche' (photo by Thomas Müller), 'Last Landscape' (photo by Fran Chudnoff), 'The Merchant of Venice' (photo by Kyle Purcell), 'Slave Play' (photo by Dahlia Katz), 'Waiting for Godot' (photo by Elana Emer), 'The Welkin' (photo by Dahlia Katz).
Twelve indelible moments of performance from 2025
With the lights fading on another year of fleeting thrills in dark rooms, we asked 12 Ontario performing arts writers to reflect on a moment that stayed with them. The results mainly stem from Toronto theatre productions, but there are a few surprises weaved in.
iPhoto caption: Connor Mitton and members of the company of 'Sex Dalmatian’s Hot Holiday Spectacular.' Photo by Jeremy Mimnagh.
REVIEW: Sex Dalmatian’s Hot Holiday Spectacular is a peppermint-coated acid trip
Rock Bottom Movement’s surrealist mandate is on full display in this 15-dancer fantasia, which begins with an invitation to let go: “The only thing you need to know is not to know anything at all,” pronounces the Mayor of Sex Dalmatian, the evening’s narrator and the mayor of the titular canine’s mind.
iPhoto caption: Wing Chun Dance Drama, courtesy of Shenzhen Opera and Dance Theatre.
Wing Chun Dance Drama is a martial arts movie come to life
“In China — especially in the history of Chinese cinema — Ip Man is a household name,” said Han, in translated written responses to questions over email. Ip had a lasting influence on wing chun, a style of kung fu that originated in southern China over 300 years ago. In his 60s, he trained Bruce Lee, who would go on to become a famous performer in Hong Kong and American martial arts films.
iPhoto caption: Vanessa Sears as Juliet, Julia McLellan as Anne, Matt Raffy as May, and Sarah Nairne as Angelique in '& Juliet.' Photo by Dahlia Katz.
REVIEW: Mirvish’s & Juliet sparkles on the surface despite narrative stumbles
The technical elements of & Juliet are rightfully excessive, fabulous, and gauche, solidifying the camp grounding upon which I came to appreciate the show as a whole.
Art Meets Environmentalism: In Conversation with Kevin Matthew Wong’s The Chemical Valley Project
"I thought, if I’m going to take up space in this experience, then I have a responsibility to tell this story.”
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