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Jessica Watson
Jessica is a former associate editor at Intermission, as well as a writer, classically-trained actor, and plant enthusiast. Since graduating from LAMDA in the UK with her MA in acting, you can often find her writing screenplays and short plays in the park, writing extensive lists of plant care tips, or working on stage and screen (though she uses a stage name). Jessica freelances with various companies across Canada, but her passion lies in working with theatre artists and enthusiasts.
LEARN MORELighthouse Festival shines a light on Canadian comedies this summer
“When you laugh with a character, you connect with their story,” says artistic director Jane Spence. “You have more empathy and compassion for whatever their journey is. I believe that humour opens us up to each other’s life experiences. It’s what connects us.”

REVIEW: Britta Johnson’s Life After shimmers in large-scale Mirvish transfer
The show’s tender excavation of grief’s ambiguities hasn’t lost any power in its journey to a bigger house; in fact, it’s clearer than ever.
Ahead of the musical’s upcoming run at Hamilton’s Theatre Aquarius, I spoke with the production’s props and scenic design department to find out how they’re making the pie magic happen.
REVIEW: Tarragon’s wonderful Benevolence reflects on diaspora, community, and place
Playwright-performer Kevin Matthew Wong’s script is heartfelt, conversational, and at times poetic, moving effortlessly between heavier moments of grief and lighter moments of joy and humour.
“I think the fundamental issue is that the foundation of inequity is still intact,” says co-curator Mariló Nuñez. “If you think about when Canadian theatre was first established, the theatre we were watching and learning about was Eurocentric, Western theatre… We place everything against that [perceived] ideal. Until that changes, I don’t think we can really make a change.”
The 40-year career of Alanis King began much the same way that so many careers in theatre do: in front of very small audiences. “The show must go on if you have the same amount of audience members as in the cast,” was King’s motto in the early days. But today, the multihyphenate Odawa artist has no difficulty finding people interested in her work.
Pakistani-Canadian actor Ahad Raza Mir ‘goes back to basics’ with Brampton production of Hamlet
“The South Asian community in Calgary, and even Toronto, is a whole different story than Brampton in terms of size,” says Mir. “I'm excited to have this show come to a larger group of South Asians: most importantly, young people who maybe want to go into the arts who want to be actors."

Tarragon Theatre Announces A Poem for Rabia Cast
Award-winning theatre and film artist Nikki Shaffeeullah’s play A Poem for Rabia will make its debut in a Tarragon Theatre production in association with Nightwood Theatre and Undercurrent Creations.

REVIEW: Living With Shakespeare at Driftwood Theatre
Living With Shakespeare is a deeply intimate exploration of Smith’s life and work, using Shakespeare’s words to bring to life some of his most personal, exciting, and challenging experiences.
REVIEW: Shakespeare By Any Other Name at Dauntless City Theatre
Part history lesson, part joyful romp through Shakespeare’s works, the sixty-minute play in the heart of St. James’ Park attempts to return the playwright to the people.
Guild Festival Theatre’s The Drowning Girls Opens in Scarborough
GFT’s final production is the multi-award-winning play The Drowning Girls, a true crime tale about three women married to and murdered by the same man.
Buddies in Bad Times Theatre Reveals Their 45th Anniversary Season
Buddies in Bad Times Theatre is celebrating with a season that showcases both epic queer stories from history and innovative new works from a diverse roster of artists.
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