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Jacqueline Louie
Jacqueline Louie is a Calgary-based freelance writer and editor who covers everything from business, to travel, to human interest stories, to history. She studied French and German literature at the University of Calgary and has a deep appreciation of live theatre. Jacqueline, a classically trained violinist, strongly believes in the power of music to bring people together.
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iPhoto caption: Jane Spidell in 'Twelve Dinners.' Photo by Dahlia Katz.
REVIEW: Family tensions run high in TIFT’s intimate Twelve Dinners
In the now-closed Twelve Dinners, an autobiographical play written and directed by Steve Ross, audiences received intimate access to an unvarnished version of a younger Ross through 12 evening meals with his parents.
iPhoto caption: Members of the company of 'Narnia.' Photo by Dahlia Katz.
REVIEW: Bad Hats’ Narnia is a joyful, heartwarming escape
The spirit of openness and the joy of discovery rule over this Narnia. Open the wardrobe and see.
iPhoto caption: Members of the company of 'Robin Hood.' Photo by Dahlia Katz.
REVIEW: Canadian Stage’s Robin Hood panto is anti-capitalist fun for the whole family
Following Ross Petty’s legacy of scene-stealing, Damien Atkins as the evil Prince John is easily the greatest delight of the show.
iPhoto caption: Lauren Gillis and Alaine Hutton in 'Public Consumption.' Photo by Eden Graham.
REVIEW: Lester Trips’ stylish Public Consumption captures the internet’s profound emptiness
Rather than directly representing online life, Public Consumption speculates — with virtuosity — about how the digital world affects our bodies. And the show's findings are by no means comfortable.
iPhoto caption: Tony Ofori and Daren A. Herbert in 'Moonlight Schooner.' Photo by Dahlia Katz.
Kanika Ambrose’s Moonlight Schooner is animated and visually stunning, but its individual pieces don’t come together as neatly as I would've expected.
iPhoto caption: Photo by Fabian Hammerl.
In A a | a B : B E N D, choreographer Aszure Barton aims to rebuild dance from the inside out
“It’s so easy to over-intellectualize dance in general, but B E N D is about hearing and moving to cool-ass music together,” says Barton ahead of the show's run at the Bluma Appel Theatre.
iPhoto caption: Photo of Beaches the Musical by Trudie Lee.
REVIEW: Beaches the Musical is spine-tingling and tender
If you have a yen for catchy tunes, love stories, and everything else that makes the most successful Broadway productions so memorable and universal, invite your bestie to Theatre Calgary to see Beaches the Musical.
REVIEW: With a little help from the Fab Four, Theatre Calgary’s As You Like It shines
This is a great production for anyone, whether or not they’re a Beatles/Shakespeare superfan. You couldn’t ask for a more accessible Shakespearean play, and the music is a perfect fit for the story.
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