prodigal-review

int(0)
/By / Mar 7, 2024
SHARE

Elizabeth Amos
WRITTEN BY

Elizabeth Amos

Elizabeth Amos (she/her) is a New York and Toronto-based dramaturg, podcast producer, and theatre critic. A graduate of the American Repertory Theater Institute for Advanced Theater training at Harvard University and the Moscow Art School, recent credits include Jagged Little Pill (Broadway, American Repertory Theatre) and 1776 (Broadway, American Repertory Theatre).

LEARN MORE

Comments

/
Jane Spidell in 'Twelve Dinners.' iPhoto caption: Jane Spidell in 'Twelve Dinners.' Photo by Dahlia Katz.
Reviews

REVIEW: Family tensions run high in TIFT’s intimate Twelve Dinners

In the now-closed Twelve Dinners, an autobiographical play written and directed by Steve Ross, audiences received intimate access to an unvarnished version of a younger Ross through 12 evening meals with his parents.

By Phillip Dwight Morgan
Members of the company of 'Narnia.' iPhoto caption: Members of the company of 'Narnia.' Photo by Dahlia Katz.
Reviews

REVIEW: Bad Hats’ Narnia is a joyful, heartwarming escape

The spirit of openness and the joy of discovery rule over this Narnia. Open the wardrobe and see.

By Ilana Lucas
Members of the company of 'Robin Hood.' iPhoto caption: Members of the company of 'Robin Hood.' Photo by Dahlia Katz.
Reviews

REVIEW: Canadian Stage’s Robin Hood panto is anti-capitalist fun for the whole family

Following Ross Petty’s legacy of scene-stealing, Damien Atkins as the evil Prince John is easily the greatest delight of the show.

By Gus Lederman
Lauren Gillis and Alaine Hutton in 'Public Consumption.' iPhoto caption: Lauren Gillis and Alaine Hutton in 'Public Consumption.' Photo by Eden Graham.
Reviews

REVIEW: Lester Trips’ stylish Public Consumption captures the internet’s profound emptiness

Rather than directly representing online life, Public Consumption speculates — with virtuosity — about how the digital world affects our bodies. And the show's findings are by no means comfortable.

By Liam Donovan
Tony Ofori and Daren A. Herbert in 'Moonlight Schooner.' iPhoto caption: Tony Ofori and Daren A. Herbert in 'Moonlight Schooner.' Photo by Dahlia Katz.
Reviews

REVIEW: Necessary Angel’s Moonlight Schooner offers a poetic glimpse into the lives of three Caribbean sailors

Kanika Ambrose’s Moonlight Schooner is animated and visually stunning, but its individual pieces don’t come together as neatly as I would've expected.

By Abi Akinlade
iPhoto caption: Photo by Fabian Hammerl.
Features

In A a | a B : B E N D, choreographer Aszure Barton aims to rebuild dance from the inside out

“It’s so easy to over-intellectualize dance in general, but B E N D is about hearing and moving to cool-ass music together,” says Barton ahead of the show's run at the Bluma Appel Theatre.

By Lindsey King