Sara Farb as Rosalind (centre) with members of the company in As You Like It Stratford Festival 2025 Photo David Hou DHOU-698

Three actors juggle 17 roles in Lighthouse Festival’s The Hound of the Baskervilles

“[I’ll] be taking off a full tweed suit and putting on a Victorian dress,” says actor Andrew Scanlon. “There will be a lot of coordination that needs to go on.”

REVIEW: Two site-specific Luminato concerts explore the significance of daily ritual

Grounded in a heightened sense of time and place, both Dawn Chorus and Queen of the Night Communion express curiosity about how art can disrupt patterns of living.

REVIEW: For a show about death, Beetlejuice is impressively full of life

It's a thoroughly entertaining musical that even improves on the original film, adding a far more cohesive storyline, clearer character motivations, and an updated sense of humour.

The Bentway’s Sand Flight asks how we might navigate a world remade by climate collapse

“We’re not only conveying dystopia,” says co-creator Jonas Corell Petersen. “Yes, we die. Yes, we dry out. But that makes way for something new, and the dancers carry hopefulness in their movement.”

REVIEW: After the Rain transforms the Tarragon Mainspace into a passionate folk-rock concert

The performers of this world premiere musical got a lot of laughs from the buzzing opening night audience, but make no mistake, they got quite a few audible tears out of us, too.

‘A lot of eyes’ on Sara Farb as she opens her seventh season at the Stratford Festival

“This place is so great to work at because one day I go to work and put a mustache on and the other day I’m wearing a beautiful gown,” says Farb.

Stratford Festival reviews: Macbeth, As You Like It, Annie, and Dirty Rotten Scoundrels

While the four productions I reviewed spanned different genres and styles, the presence of household-name director-designer Robert Lepage led me to reflect more broadly on the craft of directing, and how the demands of specific shows shift what’s entailed in that intense, wide-reaching job.

Toronto Fringe unveils full 2025 programming

Tickets are now on sale for the 37th annual Toronto Fringe Festival, showcasing over 100 shows in 22 spaces across the city.

REVIEW: Montreal’s boundary-pushing Festival TransAmériques wrestles with art’s larger purpose

While I only saw a small portion of FTA's deftly constructed, 20-show lineup, I observed in this year’s programming a definite commitment to platforming artists interested in questioning theatre’s relationship to the real world.

REVIEW: Shaw Festival’s Anything Goes is a fizzy, old-school tonic

As the script pivots between romance and farce, director-choreographer Kimberley Rampersad rides the stylistic waves, creating a production that’s sometimes grounded, sometimes cartoonish.

With the help of Tim Crouch and Hannah Moscovitch, this year’s Luminato Festival delves ‘beneath the city’s surface’

“As a newcomer to Toronto, I was immediately inspired by what makes the city tick,” says artistic director Olivia Ansell. “I really embrace this sense that the city has a pulse.”

Announcing the winners of the 2025 Toronto Theatre Critics’ Awards

The Toronto Theatre Critics’ Awards jury has announced its 2025 results — 22 winners across 17 categories, plus a pair of special citations.