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Kaitlyn Riordan
Kaitlyn is a four-time Dora nominated actor and a playwright of Irish and French descent. She lives in Tkaronto, but originally hails from Tiohtià:ke. She was part of the leadership team at Shakespeare in the Ruff from 2012-2021. Acting credits include: Orphan Song (Tarragon), After the Fire (Punctuate!), Noises Off! (Segal Centre), Maggie & Pierre (Thousand Islands Playhouse, Timeshare, The Grand), The Merchant of Venice & Blythe Spirit (Stratford Festival), The Winter’s Tale, Romeo & Juliet, Macbeth, Cymbeline, and Two Gents (Shakespeare in the Ruff). Playwriting credits include: Portia’s Julius Caesar (Shakespeare in the Ruff, Hart House, U of Waterloo, Little Lion Theatre - UK) and 1939 (Stratford Festival, Sudbury Theatre Centre). Plays in development include Gertrude's Hamlet, I Sit Content – a story of Emily Carr, and The Nude Nun.
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iPhoto caption: 'The Hound of the Baskervilles 'rehearsal photo courtesy of Lighthouse Festival.
Three actors juggle 17 roles in Lighthouse Festival’s The Hound of the Baskervilles
“[I’ll] be taking off a full tweed suit and putting on a Victorian dress,” says actor Andrew Scanlon. “There will be a lot of coordination that needs to go on.”
iPhoto caption: 'Queen of the Night' promo photo courtesy of Luminato Festival.
REVIEW: Two site-specific Luminato concerts explore the significance of daily ritual
Grounded in a heightened sense of time and place, both Dawn Chorus and Queen of the Night Communion express curiosity about how art can disrupt patterns of living.
iPhoto caption: Justin Collette in 'Beetlejuice.' 2022 photo by Matthew Murphy.
REVIEW: For a show about death, Beetlejuice is impressively full of life
It's a thoroughly entertaining musical that even improves on the original film, adding a far more cohesive storyline, clearer character motivations, and an updated sense of humour.
iPhoto caption: Photo by Hans Ravn.
The Bentway’s Sand Flight asks how we might navigate a world remade by climate collapse
“We’re not only conveying dystopia,” says co-creator Jonas Corell Petersen. “Yes, we die. Yes, we dry out. But that makes way for something new, and the dancers carry hopefulness in their movement.”
iPhoto caption: Andrew Penner and Deborah Hay in 'After the Rain.' Photo by Dahlia Katz.
REVIEW: After the Rain transforms the Tarragon Mainspace into a passionate folk-rock concert
The performers of this world premiere musical got a lot of laughs from the buzzing opening night audience, but make no mistake, they got quite a few audible tears out of us, too.
iPhoto caption: Makambe K. Simamba as Celia (left) and Sara Farb as Rosalind in 'As You Like It.' Photo by David Hou.
‘A lot of eyes’ on Sara Farb as she opens her seventh season at the Stratford Festival
“This place is so great to work at because one day I go to work and put a mustache on and the other day I’m wearing a beautiful gown,” says Farb.
iPhoto caption: The Balancing Act team. Photo by Zeeshan Safdar.
Balancing Act creates options for caregivers in Canadian theatre
“The policies that we're creating, while they're centring mothers, parents, artists who are caregivers, they actually help everyone in the industry,” says founder and executive director Lisa Marie DiLberto. “You don't know when you're going to need these kinds of supports, because everyone's going to be a caregiver or need care at some point.”
REVIEW: Inside the babes-in-arms performance of the audacious Universal Child Care
As a new parent, I was thrilled at the prospect of returning to the theatre and introducing my baby to what, at one time, used to take up two or three nights a week of my life.
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