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REVIEW: Tarragon’s wonderful Benevolence reflects on diaspora, community, and place

Playwright-performer Kevin Matthew Wong’s script is heartfelt, conversational, and at times poetic, moving effortlessly between heavier moments of grief and lighter moments of joy and humour.

A York University symposium is inviting artists and scholars to discuss strategies for combatting repression

“I think the fundamental issue is that the foundation of inequity is still intact,” says co-curator Mariló Nuñez. “If you think about when Canadian theatre was first established, the theatre we were watching and learning about was Eurocentric, Western theatre… We place everything against that [perceived] ideal. Until that changes, I don’t think we can really make a change.”

Spotlight: Alanis King

The 40-year career of Alanis King began much the same way that so many careers in theatre do: in front of very small audiences. “The show must go on if you have the same amount of audience members as in the cast,” was King’s motto in the early days. But today, the multihyphenate Odawa artist has no difficulty finding people interested in her work.

REVIEW: Why Not Theatre’s Mahabharata is a glorious theatrical banquet

This extraordinary ensemble of artists has made something truly harmonious, truly epic: a story that speaks to a mythical past, honouring a range of South Asian artistic traditions while also drawing a direct line to where — and who — we are now.

After getting its wings in Dublin, The King of All Birds takes flight at Toronto’s inaugural Bealtaine Theatre Festival

“We are all coming from somewhere, and we all have ancestors, and we all have this profound connection with not just where we come from but who we come from,” says playwright-performer Martha Knight. “That’s really connected me to the piece and connected me with everybody I’ve worked with on this show.”

REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy

I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.

Crow’s Theatre announces packed 2025-26 season, including major partnership with Soulpepper

Next season, Crow’s Theatre will stage work by Michael Healey, Dave Malloy, Eboni Booth, Erin Shields, and Tennessee Williams, among others. The company is also launching a three-year partnership with Soulpepper Theatre, which will involve four large-scale 2025-26 co-productions.

Canadian Stage reveals 2025-26 programming

World premieres from local playwrights Erin Shields and Kanika Ambrose feature in Canadian Stage’s 2025-26 season, announced this morning. The lineup also includes a Robert Lepage remount and a pair of Tony Award-nominated dramas.

Pochsy’s back! At VideoCabaret, a Canadian underground theatre icon returns to Toronto

“There are opposites at play at all times — in the show, in the writing, in the performance,” says playwright-performer Karen Hines. “When something gets dark, Pochsy might be super light in the delivery of it. When she’s being facetious or giggly, it might even be as she’s destroying a species."

GCTC to close out season with Rachel Mutombo’s Vierge

Co-produced by Montreal’s Black Theatre Workshop and directed by Dian Marie Bridge, Vierge will run from March 18 to 30 at the Irving Greenberg Theatre Centre in Ottawa.

REVIEW: The Born-Again Crow is an ardent ode to unproductivity

Director Jessica Carmichael’s Toronto premiere production trucks along with the passionate force of an early-2000s emo rock hit, imbuing this systemic critique with rousing, playful life.

REVIEW: Against a bloody backdrop, Trident Moon pays homage to the power of resilience

Playing at Crow’s Theatre and set during the 1947 partition of India, the intense fictionalized drama offers a graceful depiction of several women’s high-stakes struggle to resist.