Andrew Broderick

REVIEW: Dave Malloy’s Octet vibrates with sublime vocal beauty at Crow’s Theatre

Malloy’s intricate a cappella compositions, rich with complex harmonies, are the hymns and confessionals in a show about a support group for internet addiction. Regardless of what form their ego-feeding or doomscrolling compulsions take, the characters know it’s actually about appeasing what they call “the monster” inside — that gaping maw of emptiness that begs for shiny treats in the absence of real connection.