Buddies in Bad Times Theatre
Rhubarb! Festival director Ludmylla Reis wants artists to embrace ‘the detour’
"We do something formative at some point in the arts, and then we just continue doing that in different fonts until we’re no longer on this earth," says Reis. "The important thing is to know what that is, because you don’t want to be controlled by it. You want to be in control."
iPhoto caption: Waseem Alzer in 'The Green Line'. Photo by Jeremy Mimnagh.
REVIEW: The Green Line unspools an exquisitely written narrative of love and loss in Beirut
Playwright-director Makram Ayache’s The Green Line opens by describing this “no-man’s land” as an imaginary place — a political concept that materialized in the vegetation that reclaimed the land. For Ayache, the Green Line becomes a site of reckoning, remembrance, and restitution.
iPhoto caption: Jaime Lujan in 'Reina.' Photo by Eden Graham.
REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond
I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.
iPhoto caption: Photo by Jeremy Mimnagh.
REVIEW: In Shedding a Skin at Buddies, a mistreated office worker screams back
Vanessa Sears’ remarkable performance guides the audience through the emotional journeys of two Black British women from different generations.