dance
iPhoto caption: Ping-Hsiang Wang in 'Retina Maneuver.' Photo by Hang Su.
REVIEW: At this year’s SummerWorks Performance Festival, physical storytelling is central
From a dancer becoming a canine to a shy theatre director practicing his swordsmanship, the shows I’ve seen so far use performers’ bodies to dramatize defiance.
iPhoto caption: 'Dance Me,' choreographed by Andonis Foniadakis, Annabelle Lopez Ochoa, and Ihsan Rustem. Photo by Marc Montplaisir.
“It’s very ambitious,” says artistic and executive director Alexandra Damiani. “Each choreographer has a clear vision and language. Leonard Cohen wrote, ‘There is a crack in everything, that’s how the light gets in.’ When I see Foniadakis work with Cohen’s music, he finds the cracks between the notes, beats, and words.”
iPhoto caption: Siphesihle November in 'Flight Pattern.' Photo by Karolina Kuras.
Serge Lifar’s Suite en Blanc came out of the Second World War; Crystal Pite’s Flight Pattern emerges from the world of wars we live in today. The double bill might be asking: What role, if any, should dance play in times of crisis?
iPhoto caption: Kateryna Larina in Paradisum. Photo by Bálint Hirling.
TO Live to present Recirquel’s Paradisum in Toronto
Next week, a circus-dance hybrid will swing into the Bluma Appel Theatre as part of TO Live’s 2025-26 season.