Danté Prince
iPhoto caption: Members of the company of 'Medusa.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s Medusa creates a mess it refuses to tidy
Speaking in sibilant murmurs via headsets wired into each seat of the Baillie Theatre, a chorus of intimate voices infiltrates the audience experience, drowning out dialogue and weaving an overstimulating soundscape.
iPhoto caption: Members of the company of 'How to Catch Creation.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s How to Catch Creation has plenty to offer a Canadian audience
From its Black feminist ethics to its ideas about making art and living a good life, How to Catch Creation stands out most of all as a bold intellectual and affective challenge.
iPhoto caption: Danté Prince and Savion Roach in 'The Christmas Market.' Photo by Kenya Parsa.
Among softly falling snowflakes, dense rum cake, a tree that twirls of its own accord, and a lively soca rendition of classic carol “My Favourite Things,” The Christmas Market unfolds, gradually steering away from familiar festive comforts toward a sharper story of labour and exploitation.
iPhoto caption: Photo by Kendra Epik.
REVIEW: House + Body’s Measure for Measure weds the beautiful with the troubling
House + Body provides few answers about how to resist (or further, dismantle) a corrupt government. But layered portrayals of the play’s central characters convey the emotional stakes of a system that allows for egregious abuses of power.