Emilio Vieira
iPhoto caption: Kristen Thomson in 'Fulfillment Centre.' Photo by Elana Emer.
REVIEW: Coal Mine’s Fulfillment Centre asks how we end up alone, together
The production understands the play’s themes, yet feels limited by a script that delivers a package it never fully opens.
iPhoto caption: Photo by Dahlia Katz.
REVIEW: Heist steals from cinema’s playbook at London’s Grand Theatre
What does it take to pull off a heist? And more importantly, what does it take to pull off a heist on stage? The Grand Theatre’s latest co-production with the Citadel Theatre answers these questions with thrills, style, and spectacle.
REVIEW: Shakespeare BASH’d brings novelty to the Bard’s most under-produced work
In Shakespeare BASH’d’s intimate, stripped-down production of The Two Noble Kinsmen, we discover why even lesser Shakespeare is still worthwhile in the ways it explores different kinds of love and desire.