While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.
By Aisling Murphy /Sep 13, 2024
iPhoto caption: Sara Topham in Hedda Gabler at the Stratford Festival. Photo by David Hou.
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?