I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.
We’ve been privileged enough to witness the birth of a brand-new artform: live digital performance. This art form can only grow and improve as the digital tools to share it grow more powerful.
I want to be clear here: I’m not trying to echo that theatre-bro you went to school with who kept posting about how Shakespeare wrote 31 plays and 80 sonnets during the plague of London.