As the script pivots between romance and farce, director-choreographer Kimberley Rampersad rides the stylistic waves, creating a production that’s sometimes grounded, sometimes cartoonish.
First came self-tapes, where it actually costs actors money to audition. Then, with the pandemic, free online concerts and classes started happening everywhere.
"I’m interested in Shaw using the theatre as a voice to reach the people. I’m interested in him being a great orator and having his characters discuss great ideas, but within situations that the audience understands."