Sunday's Child Theatre

As PlayME’s season concludes, its creators reflect on the changing world of Canadian audio drama

Chris Tolley remembers CBC's Studio 212 with a sense of awe. “It felt like you were on the Starship Enterprise holodeck,” he said. “There was this big, long table with all these different computers and servers underneath. The studio had these different staircases made out of wood and metal, and strips of concrete and wood floor, so that you could run on them and record [different sound effects].”