The Far Side of the Moon
iPhoto caption: Olivier Normand in 'The Far Side of the Moon.' Photo by Li Wang.
REVIEW: Lepage’s ethereal The Far Side of the Moon is insomniac theatre
The Far Side of the Moon begins and ends with a large mirror on stage, and the show extracts enigmatic power from the tantalizing question of whether its protagonist is losing himself in his reflection, or moving toward self-discovery.
iPhoto caption: Photo by V. Tony Hauser.
“If theatre’s done well, it’s an event. And for the audience it’s very mobilizing,” says Lepage. “Whatever the subject matter is, the people go and they’re stimulated, interested, and they feel intelligent... The most beautiful spectacle is always the spectacle of intelligence.”
iPhoto caption: 'The Far Side of the Moon' at the Shanghai Jing'an Theatre Festival. Photo by Li Wang.
What’s happening on Canadian stages this fall? Eight emerging critics weigh in.
Autumn means it's back to school for cultural institutions on the very large campus that is Canada. But this year, it also marks the beginning of Page Turn, a professional development network for emerging arts writers. To kick things off, we invited participants to answer one question: “What performing arts event(s) are you looking forward to during the fourth quarter of 2025?”