thomas mitchell barnet
iPhoto caption: Julian De Zotti, Ruth Goodwin, and Thomas Mitchell Barnet in 'take rimbaud.' Photo by Wade Muir.
REVIEW: At Buddies, take rimbaud blends critical theory with glorious theatrical mess-making
While Susanna Fournier’s script despairs about the political limits of art, ted witzel's production induces the anarchic sensation that anything is possible on stage.
iPhoto caption: Nicholas Eddie and Tantoo Cardinal in 'Witch.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s Witch is thematically alluring but dramatically thin
Jen Silverman’s play aspires to communicate something substantive about the human condition — touching on loneliness, ostracization, misogyny, ageism, yearning, and ego — yet it never quite settles on a cohesive or definitive thesis. Lancaster’s production commits to heady visuals and clever idiosyncrasies to fill the gap, with mixed results.