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/By / Sep 26, 2024
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Joey Hollingsworth

Want and Able Arts Consulting
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Want and Able Arts Consulting

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the thanksgiving play iPhoto caption: Photo by Dahlia Katz.

REVIEW: The Thanksgiving Play wriggles in performative wokeness

In 2024, is there a way to produce an engaging, culturally sensitive play about the first American Thanksgiving for elementary schoolers? The Thanksgiving Play, penned by Native American playwright Larissa FastHorse and now playing at Mirvish’s CAA Theatre, poses that question in its first five minutes, then throws the query out with the cranberry sauce in its madcap exploration of a devised theatre piece at an unnamed primary school.

By Aisling Murphy
ronnie burkett iPhoto caption: Wonderful Joe production still by Ian Jackson.

‘What the hell do I do with all these puppets?’: Inside the wonderful world of Ronnie Burkett

“More than a few people said to me, ‘so this is your last show’,” says the legendary puppeteer ahead of his production of Wonderful Joe at TO Live. “Trust me, I never said this is my last show. I think that’s maybe a bit of ageism, or wishful thinking.”

By Ryan Borochovitz
ernest and ernestine iPhoto caption: The Anger in Ernest and Ernestine production still by Curtis Perry.

REVIEW: The Anger in Ernest and Ernestine simmers just below the surface

While the show certainly induces laughter, some of its strong design elements paint the actors into a corner, at times making the comedy feel a touch manufactured.

By Luke Brown
samca iPhoto caption: Samca production still by Barry McCluskey.

REVIEW: Samca is a disturbing, unique production that explores folklore and womanhood

The feminist folklore play, written by and starring Natalia Bushnik and Kathleen Welch, is an engrossing and sometimes frightening experience, perfect to kick off the scary season.

By Gabrielle Marceau
king james iPhoto caption: King James production still by Dahlia Katz.

REVIEW: King James interrogates hometown pride and fandom 

LeBron James’ checkered legacy looms large over the events of King James, sensitively written by American playwright Rajiv Joseph and now playing in a stylish production at Theatre Aquarius.

By Aisling Murphy
Prude production photo: The King of the Party, played by Lou Campbell, is wearing a tight, light pink full-body suit that covers everything except their eyes and mouth. On their head is a simple pink crown with jagged points. They are standing on one leg, with the other bent and lifted, while both arms are stretched out wide, mid tap dance. They are wearing beige tap shoes. Behind them is a black chair and a pair of pink shoes lying on the floor. The scene is set against a completely black background, with pink lighting highlighting the figure on stage. iPhoto caption: Prude production photo by Daniel Wittnebel

Toronto Fringe unveils 2024 Next Stage programming

The Toronto Fringe has announced the lineup for the 17th annual Next Stage Theatre Festival, running at Buddies in Bad Times Theatre from October 16 to 27.

By Liam Donovan