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The success of Crow's Theatre’s excellent production of The Flick, clocking in at around three hours, provoked this next thought – I have never heard anyone ever say, about any show, in my entire life, NOT EVER – “I don’t think it was long enough.”
Raising Tough Questions with Every Day She Rose
Co-directors of Every Day She Rose, Sedina Fiati and Andrea Donaldson talk intersectionality, Pride, and making space in friendships.
In Conversation: Cast & Crew of HILOT MEANS HEALER
The cast and crew of HILOT MEANS HEALER discuss the show, and the creative community bonds between Filipinx and Turtle Island Indigenous communities.
Dance Collections & New Collaborations: Contemporary Dance with TO Live & Canadian Stage
TO Live President Clyde Wagner discusses their upcoming Dance Collection with Canadian Stage, featuring acclaimed local and international artists.
Second Jobs, Straight Guys, and Some Stranger’s Urine
Sometimes when I’m reading the dumbest fucking things that are being passed off as arguments that there is no climate crisis, I think “How can people actually choose to believe this over science, just become somebody wrote it down and said it was true?”
Casting Announcement: Casimir and Caroline
The Howland Company has announced its cast for Casimir and Caroline!
Casting Announcement: Peter Pan
Soulpepper Theatre Company and Bad Hats Theatre have announced the cast for Peter Pan!
How Prince Made Me A Better Playwright
Some plays are symphonies, some are pop songs, and we can’t label one as better than the other.
Striptease for Trees, #Wexit, and Drugs That Don’t Belong To You
The Leafs played so badly on Saturday night that they made Auston Matthews’ moustache look good.
REVIEW: Almighty Voice and His Wife
Almighty Voice is speaking to us. Are we ready to listen?
REVIEW: Almighty Voice and His Wife
Moses’ masterful use of vaudeville beautifully demonstrates how history was altered, causing the loss of Indigenous identity.
You’re Not Helpless, You’re Comfortable
Pass Over puts audiences in an uncomfortable position, and I think that’s necessary. Sometimes the people who have been comfortable the longest need to be uncomfortable for a change.
Punching, Stabbing, and Spitting
I can ONLY understand why people are protesting Joker as a film if they haven’t seen it.
In Conversation: Patricia Rozema
Canadian filmmaker Patricia Rozema talks about adapting Mouthpiece for the screen, the challenges of theatre and film, and her career as a filmmaker.
In Conversation: Oliver Chris
Oliver Chris discusses his starring roles in One Man, Two Guvnors alongside James Corden and A Midsummer Night’s Dream opposite Gwendoline Christie—both screening at select Cineplex Odeon theatres.
Objectives, Jokers, and Escape Room Courting
Objectives and tactics are things actors should understand. If you can’t get a thing one way, you try another way until you do get it.
Piecing Together The Particulars
Matthew MacKenzie and Alida Kendell of Punctuate! Theatre talk dance, theatre, and bringing them together anew in The Particulars.