Reviews
iPhoto caption: Members of the company of 'How to Catch Creation.' Photo by Dahlia Katz.
REVIEW: Soulpepper’s How to Catch Creation has plenty to offer a Canadian audience
From its Black feminist ethics to its ideas about making art and living a good life, How to Catch Creation stands out most of all as a bold intellectual and affective challenge.
iPhoto caption: Janet McMordie in 'Vitals.' Photo by Nate Colitto.
REVIEW: In Rosamund Small’s Vitals, Toronto becomes a map of private catastrophes
The play cuts through the glossy image of health-care workers as haloed heroes, bringing us closer to people working through exhaustion, hypervigilance, and horror.
iPhoto caption: Meilie Ng, Wai Yin Kwok, and Sophie Gee in 'Bonnes Bonnes.' Photo by
Eden Graham.
REVIEW: Nervous Hunter’s Bonnes Bonnes combines laid-back ingredients to flavourful effect
Bonnes Bonnes is a nice reminder that productions can think, play, chill — and chili — all at once.
iPhoto caption: Members of the company of 'On Native Land.' Photo by David Cooper.
REVIEW: In Vancouver, the new musical On Native Land shimmers with hope
Corey Payette’s On Native Land unfolds as something layered and multi-perspectival, moving between individual stories and a more panoramic awareness of larger forces at play.