REVIEW: Give ‘Em Hell is a fast-talking window into a tenacious teen protest in Peterborough
Give ‘Em Hell questions the fairness of ignoring the generation who will be the most affected by decisions made about them.
REVIEW: CANOE brings mystical, operatic flair to Canada’s dark history
Through a minimalist aesthetic and a score that blends classical music with non-conventional elements, CANOE presents a deeply personal portrayal of two sisters grappling with the past.
REVIEW: Illuminarium at the Distillery District is yet another immersive experience for Toronto’s books
Illuminarium’s approach to immersion feels decorative, rather than fully developed — the experience seems to prioritize aesthetics above all else.
REVIEW: Slick political dramedy The Master Plan is Crow’s Theatre at its best (and most absurd)
For the second year in a row, Crow’s Theatre has opened the Toronto theatre season at the highest possible level.
REVIEW: The Waltz at Factory Theatre is the Swagapino representation we need
“Swagapino” is a portmanteau of the words “swag” and “Filipino.” It’s a hybrid of Filipino and North American heritage, with a signature style that typically involves a backwards baseball cap, fresh sneakers, and the drippiest chain you can find.
REVIEW: Things get crazy in Stratford’s Love’s Labour’s Lost — and that’s a good thing
Nearly every moment of Love’s Labour’s Lost sparkles.
REVIEW: her. at Red Sandcastle Theatre is a disquieting experiment with the solo show form
Shaw constructs a complex, three-person period piece all on her own. It’s a daring undertaking, and it occasionally pays off.
REVIEW: With Richard Three, Shakespeare in the Ruff affirms their tradition of re-imagining Shakespeare in powerful ways
There is a rift in the time-space continuum at Withrow Park this summer: multiverse Richard III has met Shakespearean universe Richard III for a coronation and some Shakespearean hijinks.
REVIEW: Stratford Festival’s Frankenstein Revived glows with abstract lunar imagery
Frankenstein is a page-turner and Frankenstein Revived matches its pulp.
REVIEW: The Fox at Here for Now Theatre challenges first impressions
At its core, The Fox questions what it means to have autonomy, and shows that labeling any one person as an antagonist is often a more complex proposition than it seems.
REVIEW: Stratford Festival’s attractive Les Belles-Soeurs makes meaning of dated translation
The Stratford production of Tremblay’s opus gets the job done, honouring the play’s significance with some terrific performances from Festival favourites and newcomers alike.
REVIEW: Living With Shakespeare at Driftwood Theatre
Living With Shakespeare is a deeply intimate exploration of Smith’s life and work, using Shakespeare’s words to bring to life some of his most personal, exciting, and challenging experiences.
REVIEW: Shakespeare By Any Other Name at Dauntless City Theatre
Part history lesson, part joyful romp through Shakespeare’s works, the sixty-minute play in the heart of St. James’ Park attempts to return the playwright to the people.
REVIEW: dance: made in canada
When it comes to dance made in Canada, there’s an overabundance of great work happening.
REVIEW: DEATH: A Love Story at Dandelion Theatre
Ackerman’s production is a revisitation of soulmates, whose reconciliation and second chance at being together (forever) is ultimately endearing to witness.
REVIEW: The Drowning Girls at Guild Festival Theatre
A perfect start to #spookyszn, this incredible story will send shivers down your spine.
