REVIEW: Distant Early Warning at Buddies in Bad Times Theatre
In her one-woman show, Pearle Harbour (Justin Miller) proves that the best way to endure life’s challenges is with humour.
In her one-woman show, Pearle Harbour (Justin Miller) proves that the best way to endure life’s challenges is with humour.
As far as homecomings are concerned, welcome, we’ve been waiting is a slam dunk — sexy, funny, and gay as hell.
With winning actors at its helm and a story dripping with sadness, I wish Lesson in Forgetting had more chances to pack its emotional punches.
Williams and The Herd ask a lot of questions without providing any answers and that uncertainty is the space where Beagan and team shine.
It’s an exploration of death, life, and redemption: but above all else, Crippled is a powerful love story.
As Black folk we often deal with our pains with laughter: both the text of Is God Is and its delivery afford space for that.
Olive Branch Theatre’s tackling of Cathy and Jamie’s fractious love story is a valiant one.
The Cold War is a raucous romp through Canadian history and politics.
Scored in Silence defies mere description: it must be felt.
Playwright Alix Sobler has a pressing story to tell, and she pursues the Triangle Shirtwaist fire’s political context sharply, if not always consistently.
They hit every note, every punchline, every exaggerated pose and expression with a commitment and conviction that would have felt right at home on a Broadway stage.
Every second, every frame of the 88-minute film has been deliberately curated to honour its subject and his work.
among men is a delicate undertaking with intimacy, drama, and a breathtaking physical playing space.
Wouldn’t you relish screeching like a banshee at that one coworker who won’t mute themselves?
Chloé Hung’s dark comedy may be bloody. But it’s pretty bloody good.
Toronto’s newest Suicide Squad has brought us a wacky and well-executed good time.