REVIEW: Give ‘Em Hell is a fast-talking window into a tenacious teen protest in Peterborough
Give ‘Em Hell questions the fairness of ignoring the generation who will be the most affected by decisions made about them.
Give ‘Em Hell questions the fairness of ignoring the generation who will be the most affected by decisions made about them.
Through a minimalist aesthetic and a score that blends classical music with non-conventional elements, CANOE presents a deeply personal portrayal of two sisters grappling with the past.
Illuminarium’s approach to immersion feels decorative, rather than fully developed — the experience seems to prioritize aesthetics above all else.
For the second year in a row, Crow’s Theatre has opened the Toronto theatre season at the highest possible level.
“Swagapino” is a portmanteau of the words “swag” and “Filipino.” It’s a hybrid of Filipino and North American heritage, with a signature style that typically involves a backwards baseball cap, fresh sneakers, and the drippiest chain you can find.
Nearly every moment of Love’s Labour’s Lost sparkles.
Shaw constructs a complex, three-person period piece all on her own. It’s a daring undertaking, and it occasionally pays off.
There is a rift in the time-space continuum at Withrow Park this summer: multiverse Richard III has met Shakespearean universe Richard III for a coronation and some Shakespearean hijinks.
Frankenstein is a page-turner and Frankenstein Revived matches its pulp.
At its core, The Fox questions what it means to have autonomy, and shows that labeling any one person as an antagonist is often a more complex proposition than it seems.
The Stratford production of Tremblay’s opus gets the job done, honouring the play’s significance with some terrific performances from Festival favourites and newcomers alike.
Living With Shakespeare is a deeply intimate exploration of Smith’s life and work, using Shakespeare’s words to bring to life some of his most personal, exciting, and challenging experiences.
Part history lesson, part joyful romp through Shakespeare’s works, the sixty-minute play in the heart of St. James’ Park attempts to return the playwright to the people.
When it comes to dance made in Canada, there’s an overabundance of great work happening.
Ackerman’s production is a revisitation of soulmates, whose reconciliation and second chance at being together (forever) is ultimately endearing to witness.
A perfect start to #spookyszn, this incredible story will send shivers down your spine.