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Reviews

Juliana Monk in 'To a Flame.' iPhoto caption: Juliana Monk in 'To a Flame.' Photo by Elana Emer.

REVIEW: To a Flame turns the deficit lens back on power

I left the theatre overstimulated, my attention stretched and my body still keyed up. For audiences willing to be swept up in that rush of sensation, that overload is part of the reward.

By Alessandro Stracuzzi / Sep 29, 2026
Olivia Neary-Hatton and Jake Bunyan in 'Spring Awakening.' iPhoto caption: Olivia Neary-Hatton and Jake Bunyan in 'Spring Awakening.' Photo by Dahlia Katz.

REVIEW: A sparkling young cast buoys Soulpepper’s slick Spring Awakening

If knowledge is the best defence, the adults in Frank Wedekind’s 1906 play Spring Awakening hand their children suits of armour perforated with thousands of holes.

By Ilana Lucas / Sep 28, 2026
Members of the company of 'Walden.' Photo by Sandro Pehar. iPhoto caption: Members of the company of 'Walden.' Photo by Sandro Pehar.

REVIEW: Icarus Theatre balances philosophical musings with richly shaded relationships in Walden at The Theatre Centre

Steeped in emotional and scenic intimacy, Icarus Theatre’s production probes the relationships we cultivate to duty, community, and progress in the face of climate crisis.

By Columbia Roy / Sep 20, 2026
Amy Rutherford in 'Pre-Existing Condition.' iPhoto caption: Amy Rutherford in 'Pre-Existing Condition.' Photo by Elana Emer.

REVIEW: Coal Mine’s Pre-Existing Condition is an engaging but contradictory look at the after-effects of domestic violence

In an attempt to create an issue-based work with a central everywoman, the play sends the message that we shouldn’t allow domestic violence to define a person while simultaneously staging that definition.

By Ilana Lucas / Sep 16, 2026