Features
iPhoto caption: Portrait of Eric Woolfe. Photo by Dahlia Katz.
Eric Woolfe’s inventive horror theatre is a monster mash of artistic influences
For the past 26 years, Eldritch Theatre’s director of the uncanny has given ghoulies, ghosties, and long-legged beasties of all kinds a spot in the limelight, in productions that serve up puppets, magic, and a crumbling castle’s-worth of uncanny influences, including schlock-horror B-movies, Shakespeare at his bloodiest, and the fiction of H.P. Lovecraft.
iPhoto caption: Kiana Woo, Andrew Prashad, Georgia Findlay, and Isaiah Kolundzic in 'Jane Austen's Northanger Abbey.' Photo by Raph Nogal.
Clowning duo from The 39 Steps returns to GFT in Jane Austen’s Northanger Abbey
“You have so much license to be so silly. There are so many stupid jokes in this show in the absolute best way," says Isaiah Kolundzic.
iPhoto caption: Nate Yaffe in 'Rot Hat.' Photo by Kinga Michalska.
This year’s SummerWorks Performance Festival strives to make accessibility intrinsic
The curated festival’s 36th edition features a range of works by Disabled and neurodivergent artists where the medium is very much the message.
iPhoto caption: Laura Del Papa, Hilary Scott, and Lara Lucia in 'Brontë: The World Without.' Photo by Raph Nogal.
GFT’s Brontë: The World Without is a window into the ordinary lives of literary icons
Directed by Helen Juvonen in Guild Park and Gardens’ Greek Amphitheatre, The World Without follows sisters Emily, Charlotte, and Anne Brontë — the authors of Wuthering Heights, Jane Eyre, and The Tenant of Wildfell Hall, respectively.