“I was thinking about which histories we actively remember, we choose to remember, and which ones we choose to forget and how important that is.”
“I think travel has the potential to open up some great conversations between people with very differing life experiences,” says Alex Bulmer ahead of her new show, Perceptual Archaeology (Or How to Travel Blind).
This is the heart of what (Re)Casting Shakespeare is about: examining how casting can influence the audience’s interpretation of the story.
“[Directing Maanomaa, My Brother] was about putting a magnifying glass on what the story was…like making ghee, or butter without all the solids that could go bad.”
“It’s important to move forward with love and hope because to choose any other path will just elongate how long you are uncomfortable.”
“The joy for me is…being with the performers in the room, because they support each other a lot. And they dance together. They make jokes. There’s joy and there’s pain at the same time.”
Between a Grade 7 trip to see The Phantom of the Opera and his new film The Stratum, Ramin Karimloo’s had a dreamy acting career.
STRATFEST@HOME is a digital subscription service that allows patrons to stream the entire catalogue of Stratford Festival On Film recordings.
We caught up with the celebrated scribe to chat about literary formats, strange characters, and achieving immortality through writing.
Focused on their motto of “Creative Courage for Life,” Stagecoach provides children with opportunities to unearth their creativity and shine.
“What I’m learning right now is giving me the confidence to take this newly gained knowledge anywhere in the world and flourish.”
In the moment, the showmance sounds cute. But will it be worth it if (and when) it all comes crashing down and falls apart?
If you go to a theatre, your aim is to take in, and enjoy what you’re watching, signed Bryan. It needs to be accessible for all of that.
The resources available to us and the awareness we have about public services feel meagre and insufficient.
No, she’s never been to Tibet, no, she doesn’t speak the language, yes, she’s from Quebec.
“The centre of this piece is not the pain and the suffering and the trauma. It’s the transformation of that: a full expression of rage.”
