The Night Sizwe Banzi Was Born
“No publicity. No tickets. The law prohibits blacks and whites from performing where money is exchanged. Yet, I can look back and say it was the most politically incendiary piece of art I have ever seen.”
“No publicity. No tickets. The law prohibits blacks and whites from performing where money is exchanged. Yet, I can look back and say it was the most politically incendiary piece of art I have ever seen.”
Organizing coaches and educators is vital: instead of working in silos, through the AACE community, coaches can now learn from each other.
I watch the youths interact, so gently yet fiercely. The innocence and the anarchy, just like nature.
“Where does a queer, sort-of-Muslim, brainwashed-ex-evangelical-Christian teenager find themselves in adulthood?”
Canada boasts the second largest Ukrainian diaspora in the world — second only to Russia, in fact. Why hasn’t this diaspora been met by our theatre scene in what is arguably its greatest moment of need?
You’re a bridge between the art and its contemporary audience, and you have a job to do. You have obligations — to the artists, of course, always, but to the audiences, too.
For most, Revelations is special. But for me, watching Ailey felt like catching up with an old flame.
Now that you’ve arrived, what’s to be done next? Fear not, because Blake and Clay of the Toronto Fringe hit Gay For Pay with Blake & Clay have the answers.
In 2022, it feels like the most challenging part of entering the industry as a new graduate is even finding the entrance.
Can we contend that the saying of “foh” facilitates the task of communicating the noodle soup to you just fine, which is precisely what a word is supposed to do?
In the moment, the showmance sounds cute. But will it be worth it if (and when) it all comes crashing down and falls apart?
Children of Fire is a story of kind women who fight generously and relentlessly for a better world.
Folks are coming back again and again… regardless of gender or experience, people are eager to listen to stories and talk about periods.
Anyway, we appreciate all of you signing on to our 2022 Fringe production. In the event that you are sick, Anton, our stage manager, will be your understudy.
The resources available to us and the awareness we have about public services feel meagre and insufficient.
Do we need to clarify the position of the Artist if we as the public truly want to be healed?