In Conversation
iPhoto caption: Two men hold an Equity banner in 1997. Photo courtesy of Equity.
“Live performance is so special because it challenges perspectives. It's inclusive. It's an economic engine. It knits us together as a society, and I think that we have to remember the value of it,” says Equity executive director Alex Levine.
iPhoto caption: 'C'est la vida!' production photo by Julie Cherki.
C’est la vida! uses mime, dance, and electro beats to remix classic rom-com tropes
“Having endless talks with David about love, and our respective relationships, while creating and touring this show has definitely helped me grow,” says dancer Liesbeth Kiebooms. “It’s given me a more subtle understanding of love.”
iPhoto caption: Ann-Marie MacDonald in 'Goodnight Desdemona (Good Morning Juliet).' Photo by Elana Emer.
“Sexism kept me out of hockey as a kid,” says Ann-Marie MacDonald. “But sexism also shut me out of Shakespeare."
iPhoto caption: Karen Robinson in a promo photo for 'Prophetess.' Photo by Dahlia Katz.
When I spoke to actor Karen Robinson and playwright Ho Ka Kei about Prophetess' upcoming world premiere, they described an artistic process grounded in care and collaboration. Ho had long wanted to write the part of Queen Margaret for Robinson, and he framed the “love letter aspect” of writing for people he holds dear as key to the play’s origin story.