While director Erik Richards’ tendency toward snappy, thriller-esque pacing doesn’t suit all of DNA’s more intimate moments, it adds electricity to the drama’s group scenes, bringing playwright Dennis Kelly’s reflections on groupthink and collective grief into clear view.
By Liam Donovan /Nov 12, 2025
iPhoto caption: Jessica B. Hill in 'Pandora.' Photo by Ann Baggley.
With its assemblage of theatrical meta-commentary, mythical allusions, science facts, and weasels, at face value Pandora resembles random chaos. But weave those parts together and a story emerges that is equal parts moving and fascinating.