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Brendan Healy in rehearsal for 'A Doll's House.' Photo by Dahlia Katz. iPhoto caption: Brendan Healy in rehearsal for 'A Doll's House.' Photo by Dahlia Katz.

Canadian Stage’s A Doll’s House marks the second entry in a trilogy of productions about marriage

“At 50, thinking about marriage and love, and [their] place in my life, I wanted to do an artistic deep-dive into the idea of partnership,” says director Brendan Healy.

By Nathaniel Hanula-James / Jan 21, 2026
iPhoto caption: Louise Pitre in 'Kimberly Akimbo.' Photo by Emelia Hellman.

REVIEW: Mirvish’s well-cast Kimberly Akimbo never stops surprising

The simple and the unconventional meld radiantly throughout Jeanine Tesori and David Lindsay-Abaire's Tony Award-dominating 2021 musical.

By Liam Donovan / Jan 21, 2026
iPhoto caption: 'Mischief' photo by Jae Yang.

Tarragon’s Mischief explores activism, matriarchy, and collective grief

“I was thinking about what mischief means to Canada as a country, and what that law means versus what it means to Indigenous people,” says playwright Lisa Nasson. “The antithesis of those two [meanings] I find really fascinating, and they really play into what this story is about.”

By Caelan Beard / Jan 20, 2026