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REVIEW: Family tensions run high in TIFT’s intimate Twelve Dinners

In the now-closed Twelve Dinners, an autobiographical play written and directed by Steve Ross, audiences received intimate access to an unvarnished version of a younger Ross through 12 evening meals with his parents.

REVIEW: Bad Hats’ Narnia is a joyful, heartwarming escape

The spirit of openness and the joy of discovery rule over this Narnia. Open the wardrobe and see.

REVIEW: Canadian Stage’s Robin Hood panto is anti-capitalist fun for the whole family

Following Ross Petty’s legacy of scene-stealing, Damien Atkins as the evil Prince John is easily the greatest delight of the show.

REVIEW: Lester Trips’ stylish Public Consumption captures the internet’s profound emptiness

Rather than directly representing online life, Public Consumption speculates — with virtuosity — about how the digital world affects our bodies. And the show's findings are by no means comfortable.

REVIEW: Necessary Angel’s Moonlight Schooner offers a poetic glimpse into the lives of three Caribbean sailors

Kanika Ambrose’s Moonlight Schooner is animated and visually stunning, but its individual pieces don’t come together as neatly as I would've expected.

In A a | a B : B E N D, choreographer Aszure Barton aims to rebuild dance from the inside out

“It’s so easy to over-intellectualize dance in general, but B E N D is about hearing and moving to cool-ass music together,” says Barton ahead of the show's run at the Bluma Appel Theatre.