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Hannah Antaki
Hannah works in casting, the only profession that allows her to truthfully use work as an excuse to stay home and watch TV. A dropout of both preschool and law school, she loves Montreal bagels, Harry Potter, and conversations about diversity. Her diet starts tomorrow.
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iPhoto caption: Headshot by Andy Moro.
Tara Beagan wins 2025 Governor General’s Award for drama
Published by Playwrights Canada Press, her multilingual play Rise, Red River connects environmental devastation with the intergenerational impacts of colonial violence.
iPhoto caption: Olivier Normand in 'The Far Side of the Moon.' Photo by Li Wang.
REVIEW: Lepage’s ethereal The Far Side of the Moon is insomniac theatre
The Far Side of the Moon begins and ends with a large mirror on stage, and the show extracts enigmatic power from the tantalizing question of whether its protagonist is losing himself in his reflection, or moving toward self-discovery.
iPhoto caption: Shaakir Muhammad, Christopher Gerty, and Matthieu Pagès with artists of the National Ballet in 'Procession.' Photo by Karolina Kuras. Courtesy of the National Ballet of Canada.
REVIEW: National Ballet’s Procession tangles the lines of sorrow and sensuality
Procession, the National Ballet of Canada’s brooding and stylized world premiere ballet, rushes to the stage with startling vitality — and does so at a funeral.
iPhoto caption: The company of 'CHILD-ish.' Photo by Jae Yang.
REVIEW: Tarragon’s CHILD-ish takes a hopeful and hilarious look at life through kids’ eyes
It’s a giggly good time, if a pinch oversweet.
iPhoto caption: Vincent LeBlanc-Beaudoin, Drew Moore, and Peter James Haworth in 'Abraham Lincoln Goes to the Theatre.' Photo by Emelia Hellman.
REVIEW: At Ottawa’s GCTC, you won’t expect what happens when Abraham Lincoln Goes to the Theatre
Sarah Kitz’s production leans into the play’s real strength: its exploration of narrative. The characters attempt to narrativize the play’s events before, after, and even while they take place. But their failure to impose narrative logic onto complex realities only results in escalating cycles of violence.
iPhoto caption: 'Kokuho' still courtesy of TIFF.
REVIEW: During this year’s TIFF, two films depicted theatre as a vessel for transcendence
Of the several performing arts-adjacent selections I took in, most affecting were two dramas: Lee Sang-il’s Kokuho and Chloé Zhao’s Hamnet. In both period pieces, theatre creation serves as an emotional outlet for an artist navigating devastating loss.
iPhoto caption: The Buddies Cabaret Space / Photo by Alejandro Santiago
Where to Eat and Drink… Buddies in Bad Times Theatre
Heading to a show at Buddies in Bad Times? Here’s where you should go before or after for a bite or a drink.
Where to Eat and Drink… Factory Theatre
Heading to a show at Factory Theatre? Here’s where you should go before or after for a bite or a drink.
Where to Eat and Drink… The Theatre Centre
Heading to a show at The Theatre Centre? Here’s where you should go before or after for a bite or a drink.
iPhoto caption: Tarragon Theatre. Photo by Peter Harte
Where to Eat & Drink Near… Tarragon
Heading to a show at the Tarragon? Here’s where you should go before or after for a bite, a drink, or some shopping.
Where to Eat & Drink Near… Streetcar Crowsnest
Heading to a show at Streetcar Crowsnest? Here’s where you should go before or after for a bite, a drink, or some shopping.
Where to Eat & Drink Near… Bluma Appel
Heading to a show at the Bluma Appel? Here’s where you should go before or after for a bite or a drink.
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