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Christine Brubaker
Christine is a director, actor, and educator. She is an assistant professor at the University of Calgary and has taught at many institutions over a twenty-year period including Humber, Waterloo, Ryerson, National Theatre School, Fanshawe, and Sheridan. Her research includes rehearsal room culture and heterarchical leadership.
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iPhoto caption: The cast of 'Playground' at the 2025 Toronto Fringe Festival. Photo by Colleen Yates.
2025 Toronto Fringe Festival wraps with record revenue for artists
“Artists are taking home more than half-a-million dollars, and many have sold out their first shows as professional creators,” wrote Toronto Fringe executive director Rachel Kennedy in a press release. “We are proud of our staff, volunteers, and artists for this accomplishment.”
iPhoto caption: Sébastien Heins, Georgia Findlay, Isaiah Kolundzic, and Kiana Woo in The 39 Steps. Photo by Raph Nogal.
Kiana Woo clowns around in full-circle moment with Guild Festival Theatre
For Woo, coming back to the Guild for the first time in four years — after working at Shaw, Soulpepper, the Citadel Theatre, and Théâtre Français de Toronto — feels like a homecoming.
iPhoto caption: "My Narrator" photo courtesy of the Lighthouse Festival.
Lighthouse Festival unearths rarely performed Norm Foster one-acts
“There’s not much time for character development, like there would be in a long play,” says Norm Foster of one-acts. “You have to… make it satisfying, and to have it come around to a plausible ending. It can’t just be a skit… So, it’s actually a little tougher to write.”
iPhoto caption: Marie Farsi for Intermission Magazine. Photo by Dahlia Katz.
“I’ve learned how truth is revealed in translation, and I feel like that’s my job as a director,” says Farsi. “I have to translate the piece from the page to the stage, and all the meanings that can be derived from that process of translation.”
iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Let’s-a go: Embedded with the Fools’ Comedy of Errors
While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”
iPhoto caption: Banner provided by Theatre Aquarius.
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
Actor Training in Canada: An Appeal for Change
Our current massive industry shakedown presents an opportunity—and a responsibility—to revisit and challenge the practices and bedrock values of professional training in this country.
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