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Lisa Ryder
Lisa Ryder is a Toronto based actor and writer. Movement based works co-created with Bald Ego Theatre include: Panting of the Victors, Cafe Naked and Put Me Away. Her most recent play, “Wild Oxen” was developed at the Write from the Hip program at Nightwood Theatre. Lisa was last seen in Toronto theatre in the title role of Helen Lawrence (Canadian Stage). Film and television credits include Mary Kills People, The Strain, Sinking Ship’s new series “Endlings” (CBC/Hulu) and genre classics, Jason X and Gene Roddenberry’s Andromeda. Lisa is the proud mother of two
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iPhoto caption: The cast of Fat Fables. Photo by Roya DelSol.
SummerWorks Performance Festival announces 2025 lineup
Taking place from August 7 to 17, the 2025 festival features more than 35 projects and over 200 artists.
iPhoto caption: The company of 'The Frogs.' Photo by Dahlia Katz.
Staged inches from the audience by director Griffin Hewitt, the show commendably captures the free-wheeling, anarchic spirit of the text. It’s a toad-ally great opportunity to see this rarity in the froggy flesh.
iPhoto caption: Jeff Lillico as Ralph with Yoshie Bancroft as Mitsue in 'Forgiveness.' Photo by David Hou.
REVIEW: Stratford Festival’s Forgiveness tells a deeply personal story on a sprawling scale
Presented in an increasingly tense political moment, Forgiveness resonates on a level that is part reflection, part warning.
iPhoto caption: L: Lara Arabian in promo still for 'Siranoush.' Photo by Robert J. Brodey.
R: Babz Johnston as Ginger Spice in Wannabe: A Spice Girls Tribute. Photo by Screamsmedia.
“It feels lovely to be in this curated window of [the festival],” says Siranoush writer-performer Lara Arabian. "We are excited to have a conversation with the Fringe audience.”
iPhoto caption: Photo courtesy of Luminato Festival.
REVIEW: Is Tim Crouch’s An Oak Tree worth seeing twice at Luminato?
Crouch tests the limits of theatrical representation, improvisation, and authorship. While I’m usually a sucker for exactly those types of experiments, I ultimately found An Oak Tree a bit underwhelming.
iPhoto caption: Jaime Lujan in 'Reina.' Photo by Eden Graham.
REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond
I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.
Speaking about postpartum without judgement is key to continuing the conversation and breaking the taboo.
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