Julia Krauss and Kyle Gatehouse in BreathinBetw-photobyDahliaKatz-1
Meet the participants of What Writing Can Do: The 2025 Musical Theatre Critics Lab
Theatre Aquarius’ National Centre for New Musicals, the Grand Theatre, and Intermission Magazine are excited to announce the cohort of What Writing Can Do: The 2025 Musical Theatre Critics Lab.
REVIEW: Mirvish’s Just For One Day gives Live Aid the showchoir treatment
It’s a group effort to a rather incredible degree — many of the songs are essentially riff battles, with the singers hot-potatoing the melody around.
REVIEW: A Streetcar Named Desire pulls into Theatre Calgary for the first time in over two decades
You’ll find everything you might expect from a take on A Streetcar Named Desire: sensuality, top-notch performances, and all.
REVIEW: Cliff Cardinal’s CBC Special is a real gem
Cliff Cardinal’s CBC Special may not broadcast on Canadian television, but it is, indeed, quite special.
REVIEW: La Reine-garçon hits like an avalanche at the COC
This co-production between the Canadian Opera Company and the Opéra de Montréal is eminently watchable.
REVIEW: In Why It’s (im)Possible at GCTC, parenting is an ever-evolving process
In the context of an increasingly difficult political and social climate for trans youth, Why It’s (im)Possible addresses the need for familial support.
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