Aisling Murphy

Aisling is Intermission's Senior Editor and a graduate student at the University of Toronto. She has bylines at Maclean's, The Fulcrum, The Theatre Times, and Critical Stages, and is a board member for the Canadian Theatre Critics Association. She likes British playwright Sarah Kane, most songs by Taylor Swift, and her cat, Fig.

How to Return Home: Dear Evan Hansen at TIFF

In my heart there is anger; sadness; grief for my more naïve self. Because after Dear Evan Hansen, I do not feel as if I’ve been found, as the film’s tagline so bravely promised I would be. I feel instead as if I’ve been left behind to atrophy in the Music Box Theatre some five hundred miles away, a nineteen-year-old ghost in an echoing auditorium.