REVIEW: Anahita’s Republic at Bustle & Beast
With four capable, compelling actors in tow, Anahita’s Republic comes to life beautifully.
With four capable, compelling actors in tow, Anahita’s Republic comes to life beautifully.
The Great Canadian Theatre Company has announced a full subscription season with five new mainstage productions.
I love the smell of gasoline is that rare creature with heart, charm, and relatability well beyond the parameters of the performer’s own life.
Physically speaking, yes, it’s a teeny performance, a solo seventy minutes of storytelling, but the emotional impact is anything but.
All told, Rubble’s a chance to experience some gorgeous poetry and reflect on the real, all-too-relevant human rights crisis which continues to unfold along the Gaza Strip.
“I don’t believe in this world. I don’t see how we can pull ourselves back from the brink. Human beings are greedy, and not mindful, and the only way I can think about making the world better is by getting rid of a lot of it.”
English is a damn good play, with sensible pacing, eye-catching design, and haunting performances to boot.
The funniness of the play can’t be overstated: Redbone Coonhound swings hard, and under the direction of Micheline Chevrier with Kwaku Okyere it hits its targets.
You’re a bridge between the art and its contemporary audience, and you have a job to do. You have obligations — to the artists, of course, always, but to the audiences, too.
Certainly one of the more unique pieces of performance to hit Toronto in a while — both forwards and backwards.
For its thirteenth season, this beloved Ottawa festival is just getting sweeter: undercurrents has gone bilingual.
It’s not a perfect theatricalization, but Fall On Your Knees is nearly adaptation-proof.
Cliff Cardinal‘s new realization of William Shakespeare’s As You Like It is on its way to the Great Canadian Theatre Company.
So, who is this man who got away, anyhow?
The Canadian Theatre Critics Association is pleased to announce this year’s winners of the Nathan Cohen Awards for Excellence in Critical Writing.
Miriam’s world is one of many books.