REVIEW: Jesus Hopped the ‘A’ Train
Jesus Hopped The ‘A’ Train walks the tightrope between entertainment and advocacy delicately.
Jesus Hopped The ‘A’ Train walks the tightrope between entertainment and advocacy delicately.
Jesus Hopped the ‘A’ Train throws up questions that never get dull: Can you ever justify breaking the law? Should a brutal upbringing excuse violent crimes? Does God love murderers?
Almighty Voice is speaking to us. Are we ready to listen?
Moses’ masterful use of vaudeville beautifully demonstrates how history was altered, causing the loss of Indigenous identity.
It’s a brilliant piece of theatre, embracing a devious timelessness, seeming at once aged and disturbingly current.
You know from the opening picture that this production of A Streetcar Named Desire is going to be different.
Dora committee: be ruthless in your selections. It’s an award for excellence, not a pat on the head for a job well done.
John, 887, and Come From Away are the winners of this year’s Toronto Theatre Critics Awards.
“I can write about theatre, I can write about dance, I can do classical music, I can do book reviews,” Jon told the editors of NOW. “I especially love theatre.” He was hired.
The idea that being an audience member is fundamentally inferior to being a playwright, or an actor, is something I very much disagree with.