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![Martin Austin](https://www.intermissionmagazine.ca/wp-content/uploads/2024/03/Untitled-design-4-8.png)
Martin Austin
Martin Austin is a PhD student at the University of Toronto’s Centre for Drama, Theatre & Performance Studies. Martin’s research explores the past and current state of ethics in Euro-American dance practice. He is research assistant for Category Is, a study of house ballroom communities in Toronto and Montréal, and lead administrative coordinator of the Institute for Dance Studies.
LEARN MOREREVIEW: Theatre Under the Stars puts a compelling spin on Cats
In the end, Cats left me puzzled, perplexed, and absolutely buzzing. Did I ever learn what Jellicle means? No. Did I have a great time? Absolutely.
At Canadian Stage’s 41st annual Dream in High Park, everyone is Hamlet
“There's something really democratic about outdoor theatre,” says Canadian Stage artistic director Brendan Healy. “Indoor theatre spaces are awesome, but they can sometimes be intimidating and limited. For many people, Dream in High Park is their one trip to the theatre that they do every year. For many young people, it’s their first experience of theatre.”
Speaking in Draft: Theresa Cutknife
“Of course, we all have to make money and make different sacrifices just to pay the bills, because this city is so horribly overpriced,” says Cutknife. “But why? Why do we have to suffer to feel like we’ve paid our dues to the industry?”
Missing Toronto Fringe? Now’s your chance to make a difference
Following a successful festival, the Toronto Fringe continues to accept donations as part of its Tip the Fringe campaign.
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Toronto Fringe’s New Young Reviewers 2024 | Round Two
The second round of reviews from the Toronto Fringe's New Young Reviewers program is here!
REVIEW: The Last Timbit is a surprisingly charming commercial gem
The Last Timbit, a show of snow and sweets, had a limited run at the Elgin Theatre in June and is getting a streaming release on Crave on August 12. I, for one, am more than curious to see how a wider audience will react.
With its Spring Double Bill, Toronto Dance Theatre centres community and new voices
For the Spring Double Bill, artistic director Andrew Tay is considering how programming can be a means of supporting emerging artists.
REVIEW: Boundary-pushing TDT double bill features face-riding and odd sensuality
Both pieces in the winter double bill are par for the course with TDT’s recent artistic output: unabashedly queer and consistently experimental.
REVIEW: Jungle Book reimagined needs a little reimagining
Indeed, Akram Khan “reimagines” a historically complex story into a two-hour exposé on the environmental catastrophe. Jungle Book’s captivating visual effects and dynamic physicality brought the opening night audience to their feet. But as the choreographer’s first billing as director, Jungle Book’s storytelling doesn’t always live up to Khan’s skill as a dancemaker.
When it comes to dance made in Canada, there’s an overabundance of great work happening.
REVIEW: Richard II at the Stratford Festival
There’s an electricity in every step Stephen Jackman-Torkoff takes as Richard, with his propensity for vanity, pleasure, and rash decisions.
REVIEW: X (DIX) at Crow’s Theatre/Côté Danse
A beguiling night of dance, X (DIX) is what happens when a group of talented artists come together and let each other shine.
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