Centaur_Color-WEB-SIZE_
![Rhiannon Collett](https://www.intermissionmagazine.ca/wp-content/uploads/2024/03/rhiannon.jpg)
Rhiannon Collett
Rhiannon is a playwright, performer and enfant terrible who splits their time between Montreal and Toronto. You can find them online at rhiannoncollett.com.
LEARN MOREREVIEW: Theatre Under the Stars puts a compelling spin on Cats
In the end, Cats left me puzzled, perplexed, and absolutely buzzing. Did I ever learn what Jellicle means? No. Did I have a great time? Absolutely.
At Canadian Stage’s 41st annual Dream in High Park, everyone is Hamlet
“There's something really democratic about outdoor theatre,” says Canadian Stage artistic director Brendan Healy. “Indoor theatre spaces are awesome, but they can sometimes be intimidating and limited. For many people, Dream in High Park is their one trip to the theatre that they do every year. For many young people, it’s their first experience of theatre.”
Speaking in Draft: Theresa Cutknife
“Of course, we all have to make money and make different sacrifices just to pay the bills, because this city is so horribly overpriced,” says Cutknife. “But why? Why do we have to suffer to feel like we’ve paid our dues to the industry?”
Missing Toronto Fringe? Now’s your chance to make a difference
Following a successful festival, the Toronto Fringe continues to accept donations as part of its Tip the Fringe campaign.
![](https://www.intermissionmagazine.ca/wp-content/uploads/2024/07/nyr2-tf24-2-768x512.png)
Toronto Fringe’s New Young Reviewers 2024 | Round Two
The second round of reviews from the Toronto Fringe's New Young Reviewers program is here!
REVIEW: The Last Timbit is a surprisingly charming commercial gem
The Last Timbit, a show of snow and sweets, had a limited run at the Elgin Theatre in June and is getting a streaming release on Crave on August 12. I, for one, am more than curious to see how a wider audience will react.
Centaur Theatre Celebrates Fifty Years, and Beyond
As its newest production—The Children, starring three Canadian acting legends—hits the stage, artistic director Eda Holmes looks to a future of showcasing Montreal artists at Centaur Theatre Company.
“Wow! I just LOVE writing! I’m not crying at all!” I say, writing glorious draft after glorious draft. Or at least, this is how I feel my life should be, while in reality I’m crying in the bath at 6 p.m. on a Tuesday.
Comments