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Rhiannon Collett
Rhiannon is a playwright, performer and enfant terrible who splits their time between Montreal and Toronto. You can find them online at rhiannoncollett.com.
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iPhoto caption: Photo by Randy deKleine-Stimpson.
GCTC solo show traces the complex journey of parenting a trans child
“At the end of the day, the play is trying to show the messiness of parenthood, that it's not about perfection,” says Why It’s imPossible playwright Sophia Fabiilli ahead of the show’s run at the Great Canadian Theatre Company in Ottawa. “It's about finding where the discomfort is.”
iPhoto caption: Photo by Fran Chudnoff.
REVIEW: Bad New Days’ Last Landscape unearths raw feelings about the natural world
Last Landscape uses physical theatre, puppetry, and found objects to erode the boundaries between art and nature, human and environment.
iPhoto caption: Liz Appel headshot courtesy of Liz Appel.
Five questions with Wights playwright Liz Appel
Intermission spoke with Appel over email for a brief Q&A about Wights, now playing at Crow’s Theatre until February 9.
iPhoto caption: Photo by Dahlia Katz.
High-octane crime caper makes Ontario premiere at London’s Grand Theatre
This January, the Grand is diving into the world of diamonds, deals, and deceit with Arun Lakra’s Ocean’s Eleven-inspired Heist.
iPhoto caption: The team behind The Nine Lives of Ross Fordham poses for a photo. Photo courtesy of Theatre Aquarius.
Theatre Aquarius’ newest musical weaves a family tapestry out of stories and songs
Police officer Ross Fordham’s grandchildren and great-grandchildren are the talents behind the production, which opens on January 10 at Theatre Aquarius in Hamilton.
Call for applications: Publishing and editorial assistant
Intermission Magazine is seeking a dynamic and collaborative individual to join our team.
Centaur Theatre Celebrates Fifty Years, and Beyond
As its newest production—The Children, starring three Canadian acting legends—hits the stage, artistic director Eda Holmes looks to a future of showcasing Montreal artists at Centaur Theatre Company.
“Wow! I just LOVE writing! I’m not crying at all!” I say, writing glorious draft after glorious draft. Or at least, this is how I feel my life should be, while in reality I’m crying in the bath at 6 p.m. on a Tuesday.
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