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Paula Citron
Paula Citron is a Toronto-based freelance arts journalist and broadcaster. She is currently theatre and dance reviewer for the online magazine Ludwig van Toronto. She also curates a series called Conversations with Paula, where she conducts interviews with Toronto’s arts movers and shakers.
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iPhoto caption: Sébastien Heins, Georgia Findlay, Isaiah Kolundzic, and Kiana Woo in The 39 Steps. Photo by Raph Nogal.
Kiana Woo clowns around in full-circle moment with Guild Festival Theatre
For Woo, coming back to the Guild for the first time in four years — after working at Shaw, Soulpepper, the Citadel Theatre, and Théâtre Français de Toronto — feels like a homecoming.
iPhoto caption: "My Narrator" photo courtesy of the Lighthouse Festival.
Lighthouse Festival unearths rarely performed Norm Foster one-acts
“There’s not much time for character development, like there would be in a long play,” says Norm Foster of one-acts. “You have to… make it satisfying, and to have it come around to a plausible ending. It can’t just be a skit… So, it’s actually a little tougher to write.”
iPhoto caption: Marie Farsi for Intermission Magazine. Photo by Dahlia Katz.
“I’ve learned how truth is revealed in translation, and I feel like that’s my job as a director,” says Farsi. “I have to translate the piece from the page to the stage, and all the meanings that can be derived from that process of translation.”
iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Let’s-a go: Embedded with the Fools’ Comedy of Errors
While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”
iPhoto caption: Banner provided by Theatre Aquarius.
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.
REVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
Night is not an absence, not a time-out, but a rich, enchanting world that can offer us so much more than we know.
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