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Mira Miller
Mira is an arts, lifestyle, and health freelance writer based in Toronto. She covers intersectional feminism, issues affecting the 2SLGBTQ+ community, theatre, body image, and more. In her spare time, you can find her listening to the soundtrack of a musical, watching Broad City, or dreaming about her next meal.
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iPhoto caption: Design rendering for 'A Doll's House,' set designed by Gillian Gallow and directed by Brendan Healy for Canadian Stage.
In Canadian Stage’s A Doll’s House, the house is a window within
“It is more about how Nora feels inside the space,” says set and costume designer Gillian Gallow. “It's also that difference between house and home — the house is the object, but the home is actually the feeling.”
iPhoto caption: L: Lara Arabian in promo still for 'Siranoush.' Photo by Robert J. Brodey.
R: Babz Johnston as Ginger Spice in Wannabe: A Spice Girls Tribute. Photo by Screamsmedia.
“It feels lovely to be in this curated window of [the festival],” says Siranoush writer-performer Lara Arabian. "We are excited to have a conversation with the Fringe audience.”
iPhoto caption: Photo by Randy deKleine-Stimpson.
GCTC solo show traces the complex journey of parenting a trans child
“At the end of the day, the play is trying to show the messiness of parenthood, that it's not about perfection,” says Why It’s imPossible playwright Sophia Fabiilli ahead of the show’s run at the Great Canadian Theatre Company in Ottawa. “It's about finding where the discomfort is.”
iPhoto caption: Kiera Publicover in Isle of Demons. Images courtesy of Guild Festival Theatre.
Isle of Demons blends hope and grief at Guild Festival Theatre
“It's a really powerful piece for right now,” says actor Kiera Publicover. “We see so much grief going on around us all of the time and sometimes it feels impossible to fight through it, but at the end of the day, it's the hope that gets us through.”
Inside three mouth-watering shows at Toronto Fringe 2024
Intermission sat down with the creative masterminds behind three highly anticipated Fringe shows to get the inside scoop on what goes into creating a smash hit.
“I think as Canadian theatre artists, we sometimes like to downplay our contribution,” says Chris Tolley. “But when you actually see people around the world hungry for Canadian stories, you realize we have an awful lot to contribute.”
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