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REVIEW: Britta Johnson’s Life After shimmers in large-scale Mirvish transfer

The show’s tender excavation of grief’s ambiguities hasn’t lost any power in its journey to a bigger house; in fact, it’s clearer than ever.

‘Props come with no instructions’: How the Grand and Theatre Aquarius’ Waitress brings diner food to the stage

Ahead of the musical’s upcoming run at Hamilton’s Theatre Aquarius, I spoke with the production’s props and scenic design department to find out how they’re making the pie magic happen.

REVIEW: Tarragon’s wonderful Benevolence reflects on diaspora, community, and place

Playwright-performer Kevin Matthew Wong’s script is heartfelt, conversational, and at times poetic, moving effortlessly between heavier moments of grief and lighter moments of joy and humour.

A York University symposium is inviting artists and scholars to discuss strategies for combatting repression

“I think the fundamental issue is that the foundation of inequity is still intact,” says co-curator Mariló Nuñez. “If you think about when Canadian theatre was first established, the theatre we were watching and learning about was Eurocentric, Western theatre… We place everything against that [perceived] ideal. Until that changes, I don’t think we can really make a change.”

Spotlight: Alanis King

The 40-year career of Alanis King began much the same way that so many careers in theatre do: in front of very small audiences. “The show must go on if you have the same amount of audience members as in the cast,” was King’s motto in the early days. But today, the multihyphenate Odawa artist has no difficulty finding people interested in her work.

REVIEW: Why Not Theatre’s Mahabharata is a glorious theatrical banquet

This extraordinary ensemble of artists has made something truly harmonious, truly epic: a story that speaks to a mythical past, honouring a range of South Asian artistic traditions while also drawing a direct line to where — and who — we are now.

GCTC solo show traces the complex journey of parenting a trans child

“At the end of the day, the play is trying to show the messiness of parenthood, that it's not about perfection,” says Why It’s imPossible playwright Sophia Fabiilli ahead of the show’s run at the Great Canadian Theatre Company in Ottawa. “It's about finding where the discomfort is.”

Isle of Demons blends hope and grief at Guild Festival Theatre

“It's a really powerful piece for right now,” says actor Kiera Publicover. “We see so much grief going on around us all of the time and sometimes it feels impossible to fight through it, but at the end of the day, it's the hope that gets us through.”

Inside three mouth-watering shows at Toronto Fringe 2024

Intermission sat down with the creative masterminds behind three highly anticipated Fringe shows to get the inside scoop on what goes into creating a smash hit.

‘It’s democratizing theatre’: How PlayMe brings the best of Canadian theatre straight to audience’s ears

“I think as Canadian theatre artists, we sometimes like to downplay our contribution,” says Chris Tolley. “But when you actually see people around the world hungry for Canadian stories, you realize we have an awful lot to contribute.”

An intergalactic influencer tackles colonization in Space Girl at Prairie Theatre Exchange

Space Girl explores the concept of social media and the power it holds — a topic deeply important to playwright Frances Koncan.

Soulpepper shines a light on women playwrights with Her Words Festival

“There's something for everyone,” said artistic director Weyni Mengesha. “The work on stage is irreverent, it's uplifting, it’s hilarious, it's quite moving — it’s going to have everything on stage, including you.”