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Steve Fisher
Steve Fisher is a Toronto-based freelance arts journalist and stage critic who has been published in Now Magazine, My Entertainment World, and Post City Magazine. He has a BFA degree in Theatre and a Diploma in Acting, both from Ryerson University, and still performs (at karaoke). He’s also a Master Seaman in the Royal Canadian Navy Reserves.
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iPhoto caption: Photo of Ada Aguilar by Dahlia Katz.
Speaking in Draft: Ada Aguilar
“I'm really passionate about the role of stage management as social activism, and as a way to provide safety and support for a production and its people,” says Aguilar. “We put everything of ourselves into these productions, but we also have to be good to ourselves.”
iPhoto caption: Steven Gallagher for Intermission. Photo by Dahlia Katz.
A love of theatre runs so deeply through Gallagher’s bones that you’d think it was a path he began to follow as soon as he could walk and talk. But for a boy who came of age on a rustic farm in Quebec and favoured sports venues over stages in high school, an eventual career in theatre was hardly a given.
iPhoto caption: Miriam Fernandes as the Storyteller, with Anaka Maharaj-Sandhu as Arjuna and Neil D'Souza as Krishna in Why Not Theatre’s Mahabharata (Shaw Festival, 2023). Photo by David Cooper. Set design by Lorenzo Savoini, costume design by Gillian Gallow, lighting design by Kevin Lamotte, projection design by Hana S. Kim.
For the creators of Why Not Theatre’s Mahabharata, nothing is more contemporary than an ancient epic
“I’ve been [telling] the company to embrace time as a collaborator,” says director Ravi Jain ahead of the show’s April run at Canadian Stage.
iPhoto caption: Kayla Sakura Charchuk, Jay Leonard Juatco, Kimberly-Ann Truong, Jun Kung, and Raugi Yu in Cambodian Rock Band. Set design by Jung-Hye Kim, costume design by Stephanie Kong, lighting design by Itai Erdal. Photo by Moonrider Productions.
REVIEW: Cambodian Rock Band makes scintillating Canadian premiere at Vancouver’s Arts Club
Jumping back and forth through time, it weaves the story of a father-daughter relationship together with high-energy musical performances and meditations on the traumatic effects of the Cambodian genocide.
iPhoto caption: L to R: Louise Duff (Ruth), Meg Farhall (Mrs. Bradman), Corrine Koslo (Madame Arcati), Tyrell Crews (Charles), and Christopher Hunt (Dr. Bradman) in Blithe Spirit at Theatre Calgary. Photo by Trudie Lee.
At Theatre Calgary, Corrine Koslo returns to the role of Madame Arcati after 20 years away
“I’m still flying around a bit but I’m not, you know, leaping six feet into the air and things like that,” says Koslo. “And I don’t need to. Then, I did. That was who I was and that’s who I brought to the table.”
iPhoto caption: Photo by Andree Lanthier.
GCTC to close out season with Rachel Mutombo’s Vierge
Co-produced by Montreal’s Black Theatre Workshop and directed by Dian Marie Bridge, Vierge will run from March 18 to 30 at the Irving Greenberg Theatre Centre in Ottawa.
"I don't want to engage artists as mouthpieces. What would it mean to embed you in the DNA of this project?"
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