fairview-feature

REVIEW: Pride and Prejudice gets a postmodern makeover at London’s Grand Theatre

In spite of some missed opportunities, Pride and Prejudice ends up a lighthearted recontextualization of its source material, which should appease all but the most stolid Janeites.

Announcing the winners of the 2025 Toronto Theatre Critics’ Awards

The Toronto Theatre Critics’ Awards jury has announced its 2025 results — 22 winners across 17 categories, plus a pair of special citations.

REVIEW: Takwahiminana explores what healing means when the past never quite lets go

While playwright Matthew MacKenzie’s lyrical storytelling is always a delight, there’s something astringent and detached about Takwahiminana that produces a distancing effect, preventing it from reaching the emotional highs of his other recent work.

REVIEW: Waitress blends retro charm with contemporary flair at Hamilton’s Theatre Aquarius

This co-production with the Grand Theatre stands up to its Broadway counterpart and makes for a truly delightful night out.

REVIEW: A Strange Loop cycles between audacious spectacle and deeply personal reflection

A Strange Loop challenges the conventions of large-scale musical theatre while carving its radical place in the Broadway canon.

York University’s Facing Backlash symposium builds solidarities in tough times

The symposium’s two packed days felt to me like the collective pursuit of an elusive, shape-shifting prey. But as participants shared experiences, and common-interest groups opened up their internal dialogue to the rest of the symposium, the contours of what we’re all up against started to come into focus for me, and I felt a collective sense of purpose growing.

REVIEWS: Next Stage Festival explores a wide range of stories and styles

Over the past several years, Intermission and the Toronto Fringe Festival have partnered on the New Young Reviewers program, a workshop series and writing group for emerging theatre and performance...

Cake, commuting, and conversation: Here’s what Canadian audiences value when they go to the theatre

This past spring, we invited a group of scholars, artists, and students to gather at the University of Toronto Mississauga to figure out what Canadian audiences want and need from their hosts.

“There’s Joy and There’s Pain at the Same Time”: In Conversation with Fairview’s Tawiah M’Carthy and Pulga Muchochoma

“The joy for me is…being with the performers in the room, because they support each other a lot. And they dance together. They make jokes. There's joy and there’s pain at the same time.”

Zoom lags, Cyborgs, and Brain-devouring Caterpillars

Despite myriad concerns about Zoom, the fusing of the performer’s body with the infrastructure of technology has allowed artists to create work even when performance venues are closed and physical gatherings impossible.