3-sp-1
Fiona Raye Clarke
Fiona is a Trinidadian-Canadian writer and community-engaged artist, whose work has appeared online, in print, on stage, and on screen. When she’s not working on a short story or a novel, in her spare time, she collects forgotten stories and books and enjoys chasing after her son, Tobias.
LEARN MORE
iPhoto caption: Sébastien Heins, Georgia Findlay, Isaiah Kolundzic, and Kiana Woo in The 39 Steps. Photo by Raph Nogal.
Kiana Woo clowns around in full-circle moment with Guild Festival Theatre
For Woo, coming back to the Guild for the first time in four years — after working at Shaw, Soulpepper, the Citadel Theatre, and Théâtre Français de Toronto — feels like a homecoming.
iPhoto caption: "My Narrator" photo courtesy of the Lighthouse Festival.
Lighthouse Festival unearths rarely performed Norm Foster one-acts
“There’s not much time for character development, like there would be in a long play,” says Norm Foster of one-acts. “You have to… make it satisfying, and to have it come around to a plausible ending. It can’t just be a skit… So, it’s actually a little tougher to write.”
iPhoto caption: Marie Farsi for Intermission Magazine. Photo by Dahlia Katz.
“I’ve learned how truth is revealed in translation, and I feel like that’s my job as a director,” says Farsi. “I have to translate the piece from the page to the stage, and all the meanings that can be derived from that process of translation.”
iPhoto caption: The company of 'The Comedy of Errors.' Photo by JVL Photography.
Let’s-a go: Embedded with the Fools’ Comedy of Errors
While I was preparing for the summer heat by shopping for lighter clothes, Kate Smith, artistic director of a Company of Fools, was getting ready for their next show. She called me while I was in the Rideau Centre and pitched an idea: “Would you have any interest in being an embedded critic?”
iPhoto caption: Banner provided by Theatre Aquarius.
Theatre Aquarius’ NCNM selects three new musicals for 2025-26 development
“The Danish Guest, The Blue Castle, and My Beef with Beef each bring such distinct worlds to life — from Victorian London to early-1900s Muskoka to a modern kitchen haunted by a ghost cow," wrote artistic director Mary Francis Moore in a press release.
iPhoto caption: Adam Francis Proulx, Elm Reyes, Kay-Ann Ward in a Fringe promo photo by Joy Adeola.
REVIEWS: Toronto Fringe Festival 2025
This collection of Toronto Fringe Festival capsule reviews will be updated throughout the festival with writing from 20 different critics.
iPhoto caption: Vanessa Sears for Intermission Magazine. Photo by Dahlia Katz.
“If I want to be the most expansive, detailed, versatile artist I can be, the only way to do that is to keep learning, questioning, exploring, and working,” says Sears, currently starring as Juliet in the Stratford Festival’s production of Romeo and Juliet. “If that’s not where the open doors are, then I will go elsewhere.”
iPhoto caption: Headshot by Dahlia Katz, background courtesy of Soulpepper Theatre
Soulpepper digs into Nigerian history with Canadian premiere of Inua Ellams’ Three Sisters
“I started to wonder what it is that I'm interested in saying. How do I see the world? What is my voice for? And the first thing that came to mind was African stories,” says actor Amaka Umeh.
iPhoto caption: Philip Akin at home. Photo by Dahlia Katz.
“I don't know why it is being placed on Black people to change minds,” says Akin. “I ain't here to pick your intellectual cotton.”
Comments