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Fiona Raye Clarke
Fiona is a Trinidadian-Canadian writer and community-engaged artist, whose work has appeared online, in print, on stage, and on screen. When she’s not working on a short story or a novel, in her spare time, she collects forgotten stories and books and enjoys chasing after her son, Tobias.
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iPhoto caption: Stock image of Crow's Theatre by Dahlia Katz.
Crow’s Theatre reveals intimate cabaret programming
This season, the company will present Crow’s Cabaret, a series of concerts and small-scale productions, alongside its roster of larger plays.
iPhoto caption: Photo courtesy of Theatre Calgary.
REVIEW: The Play That Goes Wrong dazzles at Theatre Calgary
The Play That Goes Wrong is a sparking-flaming-smoking car crash that you just can’t take your eyes off of. A fiery, racing delight, this is not a production to be missed.
iPhoto caption: Sara Topham in Hedda Gabler at the Stratford Festival. Photo by David Hou.
Gatekeep, gaslight, girlboss: The delight of female rage in theatre
Personally, I support women’s rights and women’s wrongs — especially when it comes to my girl Hedda. And it seems that at least two Ontario directors share my viewpoint, with Hedda Gabler opening twice in the same month at Stratford and at Coal Mine Theatre in Toronto. What makes her story so appealing?
iPhoto caption: Photo by Rick Clifford
REVIEWS: Toronto International Film Festival 2024
A filmed production of an experimental Egyptian opera, a TV series penned by Jordan Tannahill, and the moviemaking debut of Broadway director Marianne Elliott are among the offerings at this year’s TIFF with connections to the world of theatre.
iPhoto caption: Kailin Brown in the Broadway National Tour of Chicago. Photo by Jeremy Daniel.
I’m not a woman, I just play one
“As a performer, my job is to play a character, and if that character is right for me it doesn’t matter what gender they are,” writes non-binary actor Kailin Brown. “What matters is that I can make a difference in someone’s life who can relate to the character, or to me as the actor.”
iPhoto caption: Promotional image from The Tempest: A Witch in Algiers at Shakespeare in the Ruff. Photo courtesy of Shakespeare in the Ruff.
REVIEW: The Tempest: A Witch in Algiers brings new meaning to a classic tale
You may think you know the story of The Tempest, Shakespeare’s shipwrecked saga about wizards, spirits, and nobility on a remote island. But in The Tempest: A Witch in Algiers, playwright Makram Ayache invites new consideration of canonized characters,
iPhoto caption: Vanessa Sears for Intermission Magazine. Photo by Dahlia Katz.
“If I want to be the most expansive, detailed, versatile artist I can be, the only way to do that is to keep learning, questioning, exploring, and working,” says Sears, currently starring as Juliet in the Stratford Festival’s production of Romeo and Juliet. “If that’s not where the open doors are, then I will go elsewhere.”
iPhoto caption: Headshot by Dahlia Katz, background courtesy of Soulpepper Theatre
Soulpepper digs into Nigerian history with Canadian premiere of Inua Ellams’ Three Sisters
“I started to wonder what it is that I'm interested in saying. How do I see the world? What is my voice for? And the first thing that came to mind was African stories,” says actor Amaka Umeh.
iPhoto caption: Philip Akin at home. Photo by Dahlia Katz.
“I don't know why it is being placed on Black people to change minds,” says Akin. “I ain't here to pick your intellectual cotton.”
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