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Sin Tung Ng
Sin Tung Ng (Steffi) is a MFA candidate of Criticism & Curatorial Practice Program at OCAD University. She was born and raised in Hong Kong, and is interested in disrupting the flattening term of "Asian" through writing and curation. A good HK egg tart with a cup of black coffee will make her day. She is a member of the 2023 cohort of the IBPOC Critics Lab, supported by Intermission Magazine and the Stratford Festival.
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iPhoto caption: The cast of Fat Fables. Photo by Roya DelSol.
SummerWorks Performance Festival announces 2025 lineup
Taking place from August 7 to 17, the 2025 festival features more than 35 projects and over 200 artists.
iPhoto caption: The company of 'The Frogs.' Photo by Dahlia Katz.
Staged inches from the audience by director Griffin Hewitt, the show commendably captures the free-wheeling, anarchic spirit of the text. It’s a toad-ally great opportunity to see this rarity in the froggy flesh.
iPhoto caption: Jeff Lillico as Ralph with Yoshie Bancroft as Mitsue in 'Forgiveness.' Photo by David Hou.
REVIEW: Stratford Festival’s Forgiveness tells a deeply personal story on a sprawling scale
Presented in an increasingly tense political moment, Forgiveness resonates on a level that is part reflection, part warning.
iPhoto caption: L: Lara Arabian in promo still for 'Siranoush.' Photo by Robert J. Brodey.
R: Babz Johnston as Ginger Spice in Wannabe: A Spice Girls Tribute. Photo by Screamsmedia.
“It feels lovely to be in this curated window of [the festival],” says Siranoush writer-performer Lara Arabian. "We are excited to have a conversation with the Fringe audience.”
iPhoto caption: Photo courtesy of Luminato Festival.
REVIEW: Is Tim Crouch’s An Oak Tree worth seeing twice at Luminato?
Crouch tests the limits of theatrical representation, improvisation, and authorship. While I’m usually a sucker for exactly those types of experiments, I ultimately found An Oak Tree a bit underwhelming.
iPhoto caption: Jaime Lujan in 'Reina.' Photo by Eden Graham.
REVIEW: Documenting seven Toronto indie shows, from Factory Theatre to the Tranzac Club and beyond
I’ve started writing brief reviews of Toronto productions Intermission isn’t otherwise covering, and stowing them away until I collect enough to publish in a batch. And now here I am, with seven.
iPhoto caption: Image courtesy of RAW Taiko.
REVIEW: RAW Taiko guides its diasporic audience home in new ensemble piece
Unlike any traditional ensemble performance I might have imagined, RAW Taiko’s concert resembles more of a cozy community gathering than a concert or play.
Telling stories without speaking: Meet the angels of Stratford’s Richard II
"This work is important not only because it lets diversity be seen and celebrated by other diverse people, but also because it gives people who might not share those beliefs the opportunity to see why it's so important," says actor Olivia Sinclair-Brisbane. "It's a chance to make a change."
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