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Sin Tung Ng
Sin Tung Ng (Steffi) is a MFA candidate of Criticism & Curatorial Practice Program at OCAD University. She was born and raised in Hong Kong, and is interested in disrupting the flattening term of "Asian" through writing and curation. A good HK egg tart with a cup of black coffee will make her day. She is a member of the 2023 cohort of the IBPOC Critics Lab, supported by Intermission Magazine and the Stratford Festival.
LEARN MOREREVIEW: Theatre Under the Stars puts a compelling spin on Cats
In the end, Cats left me puzzled, perplexed, and absolutely buzzing. Did I ever learn what Jellicle means? No. Did I have a great time? Absolutely.
At Canadian Stage’s 41st annual Dream in High Park, everyone is Hamlet
“There's something really democratic about outdoor theatre,” says Canadian Stage artistic director Brendan Healy. “Indoor theatre spaces are awesome, but they can sometimes be intimidating and limited. For many people, Dream in High Park is their one trip to the theatre that they do every year. For many young people, it’s their first experience of theatre.”
Speaking in Draft: Theresa Cutknife
“Of course, we all have to make money and make different sacrifices just to pay the bills, because this city is so horribly overpriced,” says Cutknife. “But why? Why do we have to suffer to feel like we’ve paid our dues to the industry?”
Missing Toronto Fringe? Now’s your chance to make a difference
Following a successful festival, the Toronto Fringe continues to accept donations as part of its Tip the Fringe campaign.
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Toronto Fringe’s New Young Reviewers 2024 | Round Two
The second round of reviews from the Toronto Fringe's New Young Reviewers program is here!
REVIEW: The Last Timbit is a surprisingly charming commercial gem
The Last Timbit, a show of snow and sweets, had a limited run at the Elgin Theatre in June and is getting a streaming release on Crave on August 12. I, for one, am more than curious to see how a wider audience will react.
REVIEW: RAW Taiko guides its diasporic audience home in new ensemble piece
Unlike any traditional ensemble performance I might have imagined, RAW Taiko’s concert resembles more of a cozy community gathering than a concert or play.
Telling stories without speaking: Meet the angels of Stratford’s Richard II
"This work is important not only because it lets diversity be seen and celebrated by other diverse people, but also because it gives people who might not share those beliefs the opportunity to see why it's so important," says actor Olivia Sinclair-Brisbane. "It's a chance to make a change."
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