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Tarragon and Musical Stage Company debut After the Rain, a new musical about the riff-filled rise of a fictional Canadian band

“Hundreds of pages of text have been cut,” says composer Suzy Wilde. “Many songs have been put on the back burner. That's what writing a musical is: there's a ton of editing that has to be done.”

REVIEW: Shaw Festival’s The Lion, the Witch and the Wardrobe needs a louder roar

Sometimes, theatre transports you to a fantastic new world. Other times, you get a wardrobe full of coats.

In Lighthouse Festival’s The New Canadian Curling Club, a classic Canadian sport helps newcomers break the ice 

“I had this idea to write a play about a group of relative strangers who come together with one common goal,” says playwright Mark Crawford. “I love that kind of narrative: people from disparate parts of a community who come together to form their own little community.”

REVIEW: Tapestry Opera’s Sanctuary Song charts an elephant’s tumultuous journey from captivity to liberation

The Dora Award-winning, family-friendly opera has returned to mark the opening of Tapestry's new venue on Yonge Street.

How four GTA drama teachers are modelling the importance of connection, empathy, and collaboration

I suspect that most people who work in theatre professionally, and many who don’t, have a story about a high school drama teacher who changed their life. This edition of Speaking in Draft is a celebration of those figures.

REVIEW: Pride and Prejudice gets a postmodern makeover at London’s Grand Theatre

In spite of some missed opportunities, Pride and Prejudice ends up a lighthearted recontextualization of its source material, which should appease all but the most stolid Janeites.

Bringing Theatre and Comedy Together in YPT’s Snow White: In Conversation with Herbie Barnes and Aurora Browne

YPT has crossed the theatre/comedy barrier for an imaginative retelling of Snow White with an all-star double cast spanning both genres.

Thriving, Brilliant, Brave, Sexy Activism: In Conversation with Darrah Teitel

"If I was trying to change the world, Canadian theatre spaces are probably not the most efficient way to do that..but the liveness of theatre and the beautiful communal experience just cannot be replicated anywhere else.”

What I Wish I’d Known: Laura Nanni

Cultivate the same environment of creativity and fun for yourself that you wish for the artists and audience you plan for.

What I Wish I’d Known: Andrea Donaldson

I believe in a huge distinction between pressure and stress. One is exciting and passionate and one is toxic.

What I Wish I’d Known: Blood Pact Theatre

Be excellent to each other.

What I Wish I’d Known: Johnnie Walker

You’re going in the right direction, even if the journey winds up taking longer than you planned for.