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/By / Mar 7, 2024
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An image of a Dora Mavor Moore Award on a white background. The statue displays a bronze humanoid figure, its arms raised above its head to create a circle. Surrounding the statue is text reading "Dora Mavor Moore Awards."

Mae Smith
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Mae Smith

Mae Smith is a former associate editor for Intermission Magazine. Outside of theatre, she is a crafter and a Pisces.

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1939 iPhoto caption: Photo by Dahlia Katz.
Features

In 1939, Indigenous students bring their living culture to one of the Bard’s problem plays

“There’s no monolithic experience of residential school,” says co-playwright and director Jani Lauzon. “There are some really extraordinary plays already written about residential schools that deal with that [more tragic] lens. We set out to write a different kind of play, with a different gaze.”

By Nathaniel Hanula-James
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Features

Roberto Zucco marks a new era in Buddies’ history of queer theatre

Toronto theatre can be a bit risk-averse. Artistic directors, constrained by limited funding, program obvious crowd-pleasers over boundary-pushing experiments. Playwrights, afraid to ruffle feathers, create spaces that validate the public’s...

By Chris Dupuis
justin miller iPhoto caption: Headshot courtesy of Justin Miller.
Speaking in Draft

Speaking in Draft: Justin Miller

“I love to laugh,” says Miller, an actor, bouffon drag clown, performance artist, and teacher extraordinaire. “Some of the most impactful and meaningful experiences I've had have been shared through a comedic lens. I think you have a far better chance of actually changing people with comedy, because it's in moments of surprise and subversion of expectation that you have a chance to knock them off their balance, and maybe show them something new.”

By Nathaniel Hanula-James
life of pi iPhoto caption: Photo by Johan Persson.
Reviews

REVIEW: Life of Pi gleams with unforgettable puppets

Based on the beloved novel by Yann Martel, the exquisite touring production uses puppets as its vocabulary, asking complex questions about storytelling and the power of imagination.

By Aisling Murphy
infinite life iPhoto caption: Photo by Elana Emer.
Reviews

REVIEW: Infinite Life thrums with meditations on chronic illness and pain

Director Jackie Maxwell’s production at Coal Mine Theatre, featuring six generous, empathetic performances, is a paean of understanding for the chronically ill, candidly examining the despair and fury of bodily helplessness in a way that’s magnified by our proximity to the characters in the intimate space.

By Ilana Lucas
rosmersholm iPhoto caption: Photo by Dahlia Katz.
Reviews

REVIEW: In Rosmersholm, ghosts abound

While the play’s ideas sizzle and pop with contemporary verve, the story’s an occasionally frustrating vessel for those captivating sentiments on politics and identity.

By Aisling Murphy