Anais West

Three actors juggle 17 roles in Lighthouse Festival’s The Hound of the Baskervilles

“[I’ll] be taking off a full tweed suit and putting on a Victorian dress,” says actor Andrew Scanlon. “There will be a lot of coordination that needs to go on.”

REVIEW: Two site-specific Luminato concerts explore the significance of daily ritual

Grounded in a heightened sense of time and place, both Dawn Chorus and Queen of the Night Communion express curiosity about how art can disrupt patterns of living.

REVIEW: For a show about death, Beetlejuice is impressively full of life

It's a thoroughly entertaining musical that even improves on the original film, adding a far more cohesive storyline, clearer character motivations, and an updated sense of humour.

The Bentway’s Sand Flight asks how we might navigate a world remade by climate collapse

“We’re not only conveying dystopia,” says co-creator Jonas Corell Petersen. “Yes, we die. Yes, we dry out. But that makes way for something new, and the dancers carry hopefulness in their movement.”

REVIEW: After the Rain transforms the Tarragon Mainspace into a passionate folk-rock concert

The performers of this world premiere musical got a lot of laughs from the buzzing opening night audience, but make no mistake, they got quite a few audible tears out of us, too.

‘A lot of eyes’ on Sara Farb as she opens her seventh season at the Stratford Festival

“This place is so great to work at because one day I go to work and put a mustache on and the other day I’m wearing a beautiful gown,” says Farb.