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May Antaki
May is the co-founder and former co-editor-in-chief of Intermission. She edits everything from memoirs to cookbooks, loves maple syrup and boy bands, and is a pretty good first baseman.
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iPhoto caption: Photo by Blaire Russell.
The 40-year career of Alanis King began much the same way that so many careers in theatre do: in front of very small audiences. “The show must go on if you have the same amount of audience members as in the cast,” was King’s motto in the early days. But today, the multihyphenate Odawa artist has no difficulty finding people interested in her work.
iPhoto caption: Photo by David Cooper.
REVIEW: Why Not Theatre’s Mahabharata is a glorious theatrical banquet
This extraordinary ensemble of artists has made something truly harmonious, truly epic: a story that speaks to a mythical past, honouring a range of South Asian artistic traditions while also drawing a direct line to where — and who — we are now.
iPhoto caption: Photo by Szymon Lazewski.
“We are all coming from somewhere, and we all have ancestors, and we all have this profound connection with not just where we come from but who we come from,” says playwright-performer Martha Knight. “That’s really connected me to the piece and connected me with everybody I’ve worked with on this show.”
iPhoto caption: Photo by Jae Yang.
REVIEW: Guillermo Verdecchia’s Feast is a fascinating text, but Tarragon’s new production feels hazy
I found the play really resonant and rich and layered. It’s about globalization, privilege, travel, displacement, and inequity, and it brought up many associations and past experiences for me. But I don’t feel that Soheil Parsa’s production fully comes together.
iPhoto caption: A stock image of Lighthouse Festival Theatre in Port Dover.
Lighthouse Festival unveils casting for 2025 summer season
The Lighthouse Festival has announced casting details for its 2025 summer season. A mix of returning favourites and new faces will appear in five productions across its two venues in Port Dover and Port Colborne.
iPhoto caption: Karen Hines as Pochsy. Photos by Gary Mulcahey.
REVIEW: VideoCabaret’s Pochsy IV is bizarre, vicious, and hilarious
I can confidently say that you don’t have to have a 30-year-plus background with Karen Hines’ clown character Pochsy to quickly understand her mix of oddball conviction, sly wordplay, and bland narcissism.
Casting Announcement: The Wolves
The Howland Company has announced the cast for their fall production of The Wolves.
Nomination Announcements: 39th Annual Dora Mavor Moore Awards
The nominees for the 39th Dora Mavor Moore Awards have been announced!
10 Reasons Two Actors Wouldn’t Survive the 1600s
Actors Ghazal Azarbad and Paolo Santalucia each give five reasons they wouldn’t have survived the 1600s.
Teenagers from This Year’s Paprika Festival on What They Want to See More of on Toronto Stages
Six young artists involved in the Paprika Festival tell us what kind of theatre they want to see more of.
Based On and Inspired By: How Artists Work from Real Material
A playwright, an actor, a designer, and two theatre creators/performers talk about what it’s like working on a piece of theatre based, in some way, in reality.
iPhoto caption: A scene from Love and Information. Photo by Dahlia Katz.
What’s a Random Thing You Know a Lot About?
"At the dawn of Thatcherism, a coterie of sexually liberated exhibitionists transformed punk into glorious camp decadence (and I’m sad I missed out)."
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